Blu-ray Movies
"My Own Private Idaho"
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April 2016
Van Sant's Cobbled-Together Masterpiece
The Criterion Collection 277
Format: Blu-ray
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My Own Private Idaho (1991) was director Gus Van Sant’s third feature film, cobbled together from several different earlier sources, two screenplays, a story, and Shakespeare’s Henry IV. Many have found its fragmented structure irritating, but every time I watch it, I find that these glimpses into the lives of Mike Waters and Scott Favor add up to a masterpiece.
"Gilda"
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March 2016
Rita Hayworth at Her Best
The Criterion Collection 795
Format: Blu-ray
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Rita Hayworth is Gilda. Gilda is Rita Hayworth. They’ve become synonymous -- to mention either name in conversation conjures up the other. Her entrance, tossing her hair and saying “Me?,” has become iconic. The movie changed Hayworth’s image overnight in 1946 -- from healthy, all-American girl next door to Hollywood’s reigning sex symbol, an accolade she enjoyed for a little less than a decade. She then moved on to more matronly roles, then to alcoholism, and finally to Alzheimer’s.
"The American Friend"
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February 2016
Suspense and Murder from Wim Wenders and Criterion
The Criterion Collection 793
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Patricia Highsmith, in her novels centered on Tom Ripley, created in him a character who is smooth, suave, educated, pseudo-sophisticated, evasive, seductive, psychotic, and extremely dangerous. Matt Damon, John Malkovich, and Alain Delon have successfully portrayed Ripley on screen. In Wim Wenders’s The American Friend (1977), Dennis Hopper portrays Ripley as more of a rough-and-tumble mad dog -- a clever man with a temper and a persistent habit of doing bad things. The German director, too, had been persistent in his attempts to option a Highsmith novel to film. When it became clear that none were available, Highsmith gave Wenders Ripley’s Game, then not yet published.
"In Cold Blood"
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January 2016
Art Imitates Life in Flawless Blu-ray
The Criterion Collection 781
Format: Blu-ray
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Based on the book of the same title -- described by its author, Truman Capote, as a “nonfiction novel” -- the film In Cold Blood is grim, gritty, probing, and brilliant in every way. Director Richard Brooks, who wrote the screenplay, managed to express in it his opposition to the death penalty in ways so subtle that many missed the point. Brooks’s insistence on using relatively unknown actors paid off. Robert Blake as Perry Smith, and Scott Wilson as Dick Hickock, are brilliant in the roles, and the fact that they looked very much like the killers they portray helps underline Brooks’s documentary style.
"Kwaidan"
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December 2015
Masaki Kobayashi’s Japanese Ghost Stories
The Criterion Collection 90
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The four Japanese folk tales that comprise Kwaidan (1964) followed a curious path in becoming this iconic film by director Masaki Kobayashi. The stories had been passed down through generations by word of mouth in Japan when Greek-Irish writer Lafcadio Hearn (1850-1904) first heard them, and published them in English versions edited to make them appeal to Western audiences. They were also translated back into Japanese as Hearn adopted a Japanese name, Yakumo Koizumi. Eventually, director Kobayashi and his screenwriter, Yôko Mizuki, adapted and expanded four of Hearn’s versions.
"The Honeymoon Killers"
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November 2015
Mahler and Murder
The Criterion Collection 200
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This 1969 film, shot on a shoestring, won the attention of such luminaries as François Truffaut, who declared it his favorite American film. It’s based on the true story of Martha Beck and Raymond Fernandez, lovers who, in the late 1940s, killed as many as 20 women. They were dubbed “The Lonely Hearts Killers” because they met most of their victims through lonely-hearts ads. Now it’s Craigslist, eHarmony, or one of the other dating websites. Back then it took more time -- you had to write a letter, mail it, and wait for a response.
"Day for Night"
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October 2015
François Truffaut’s Valentine to Movies Is a Winner on Blu-ray
The Criterion Collection 769
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François Truffaut (1932-1984) achieved recognition in 1959 with his first feature film, The 400 Blows. After that, his career went up and down, albeit with more hits than misses. In the US of the 1960s and 70s, he was largely considered an "art house" director, and film critics and connoisseurs revered his films more than did the general public. One thing that shines through many of his works was his intense love of movies. This message was so clear that another lover of movies, Steven Spielberg, cast him as an actor in his Close Encounters of the Third Kind.
"Night and the City"
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September 2015
The Criterion Collection 274
Format: Blu-ray
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Were it not for the notorious Hollywood blacklist, Night and the City (1950) might not have been made -- and surely not by veteran director Jules Dassin. Dassin had been in the Communist Party for a few years, but had resigned well before this. Nonetheless, he was outed, put on the list, and told to get to London as soon as possible to start filming Night and the City, beginning with the most important and expensive scenes so that 20th Century Fox would have enough financial investment to want to complete the project.
"The Killers"
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August 2015
Four Versions of Hemingway's Tale for the Price of One
The Criterion Collection 176
Format: Blu-ray
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Ernest Hemingway's short story "The Killers" was first published in 1927, in Scribner's Magazine. It was made into a theatrical film twice, in 1946 and 1964. The Criterion Collection offers on this Blu-ray not only both of those versions, but also a 1956 student version by the Russian director Andrei Tarkovsky, as well as Hemingway's story, read by Stacy Keach. These sorts of bonuses greatly add to one's knowledge of the feature films, and are what make Criterion so worthwhile and popular.
"Ride the Pink Horse"
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July 2015
A Film Noir with Redemption
The Criterion Collection 750
Format: Blu-ray
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We usually associate films noirs with urban locations -- cities with streets that glisten in the rain, tall buildings casting long shadows. But, as film historian Imogen Sara Smith, author of In Lonely Places: Film Noir Beyond the City, points out in an enthusiastic interview on this Criterion Collection edition of Robert Montgomery’s Ride the Pink Horse (1947), that’s not always the case.
