June 2026
Craft Recordings / Prestige Records—CR00693
Format: LP
Musical Performance
Sound Quality
Overall Enjoyment
Miles Davis would have turned 100 on May 26 of this year, and there will be many events celebrating the occasion. Bassist Marcus Miller, who played with Davis in the 1980s, is just kicking off a tribute tour in Davis’s honor, and various jazz festivals and concerts through the end of the year will honor the great trumpeter, composer, and cultural icon.
June 2026
In this episode of SoundStage! Encore, singer-songwriter Dominique Fils-Aimé takes us inside the making of her newest album, My World Is The Sun — a deeply personal work centered on peace, spirituality, intuition, and freedom.
June 2026
A few months ago, I posted a list of records that I felt would be a good start for creating a basic LP library. Soon after, I suggested a few more records, a bit more obscure, that I thought people should hear. I was thinking about both lists the other day after I heard a podcast about rock critics who, one speaker asserted, were gatekeepers that determined which bands would get into the Rock and Roll Hall of Fame. He also accused critics of creating a somewhat inflexible canon of records that define rock’n’roll.
May 2026
Ear Music 0221182EMU
Format: LP
Musical Performance
Sound Quality
Overall Enjoyment
The English songwriter and singer Joe Jackson’s nearly 50-year recording career has been full of surprises and delights. A little more than two years ago, he released Mr. Joe Jackson Presents Max Champion in What a Racket!, which recreated the glory days of the English music hall. Max Champion was Jackson’s creation, and he claimed the fictional Champion had written the songs on What a Racket! years ago in the early 1900s.
May 2026
Last July, music critic and jazz historian Ted Gioia published an article on his Substack blog, The Honest Broker, about the poor state of music criticism. “What Is Happening to Music Criticism?” wasn’t lamenting the decline in the quality of writing about music. It was sounding the alarm that the genre is disappearing.
Note: measurements taken in the anechoic chamber at Canada’s National Research Council can be found through this link.
April 2026
Recently, I’ve been re-reading work I’ve published since my first album reviews in 1976. Much has changed in the past 50 years; back then, I was reviewing new releases by the likes of Miles Davis, Stan Getz, and Dizzy Gillespie—now all long dead. If you subscribe to a “golden age” theory where jazz is concerned, it wouldn’t surprise me if you feel that the music hasn’t been the same since giants like those left the scene in the early ’90s. If so, you’re not alone.
April 2026
Parlophone 5021732635679
Format: LP
Musical Performance
Sound Quality
Overall Enjoyment
The English band Talk Talk started as a synth-driven pop group in 1982 with The Party’s Over, but grew restless and moved into more layered, complex, and emotionally stirring music with its second LP, It’s My Life (1984). Two years later, The Colour of Spring was an even bolder step forward, with fewer synths and even greater lyrical and musical ambitions.
April 2026
I wish I could claim I was swept up in the excitement that was in the air when the Beatles appeared live on The Ed Sullivan Show on February 9, 1964. I was seven years old and I’m sure I was aware of what was going on, but only vaguely. On the school bus, the older sisters of my friends were all talking about the upcoming, momentous event.
April 2026
Craft Recordings / Fantasy Records CR00962
Format: LP
Musical Performance
Sound Quality
Overall Enjoyment
Jazz pianist Vince Guaraldi died at 47, having released a surprisingly small number of recordings during his lifetime. He recorded 15 albums as leader or co-leader, three of them live. Many have slipped in and out of print over the years, but two, Jazz Impressions of Black Orpheus (1962) and A Charlie Brown Christmas (1965), have been available consistently since they were released.
March 2026
SoundStage! Recordings—SRMH001
Format: LP
Musical Performance
Sound Quality
Overall Enjoyment
Martin Verrall is a musician and painter based in Hamilton, Ontario, Canada. According to Discogs, Verrall has released two albums on physical media, Concrete Rivers (2003, on CD) and January Downs (2023, on vinyl). His Bandcamp page lists those albums for download, as well as three others, Escape Show (2009), Spears of Fate (2010), and Yesterday’s Tomorrow (2019).
March 2026
When I was 12, I formed a band with a couple of friends who, like me, had been playing music for a year or so. We played songs that had been on the radio over the previous few years, songs every kid just starting a band in 1968 would play. “Gloria,” by the Shadows of Knight—we hadn’t heard Them’s original version. “In the Midnight Hour,” by Wilson Pickett.
Note: measurements taken in the anechoic chamber at Canada’s National Research Council can be found through this link.
February 2026
David Mott, baritone saxophone master and former head of the music department at York University in Toronto, Canada, once told me that the best musicians play without ego. By creating an unmediated flow of ideas, artists like John Coltrane channel something approaching the divine. Pianist Keith Jarrett certainly belongs in that category.
February 2026
Mobile Fidelity Sound Lab / Columbia Records—MFSL 2-567
Format: LP
Musical Performance
Sound Quality
Overall Enjoyment
I hadn’t bought a Mobile Fidelity Sound Lab LP since the 2022 dustup over the sources the label was using for its costly reissues. MoFi’s handling of the issue was imperfect, but in the end, it reached a settlement with disgruntled customers. At this point, the big takeaway from all the noise the scandal created is that it’s silly to assume an original analog tape is the best and only source for cutting an LP.
February 2026
Mark Howard’s name appears in the credits of a lot of records you probably own. He’s worked as a recording and mixing engineer on albums by Bob Dylan, Tom Waits, Marianne Faithfull, Rickie Lee Jones, Chris Whitley, Willie Nelson, Emmylou Harris . . . and the list continues. On many of those albums, he was working with producer Daniel Lanois. He was the engineer on a couple of Lanois’s own albums as well.
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