March 2026
When I was 12, I formed a band with a couple of friends who, like me, had been playing music for a year or so. We played songs that had been on the radio over the previous few years, songs every kid just starting a band in 1968 would play. “Gloria,” by the Shadows of Knight—we hadn’t heard Them’s original version. “In the Midnight Hour,” by Wilson Pickett.
Note: measurements taken in the anechoic chamber at Canada’s National Research Council can be found through this link.
February 2026
David Mott, baritone saxophone master and former head of the music department at York University in Toronto, Canada, once told me that the best musicians play without ego. By creating an unmediated flow of ideas, artists like John Coltrane channel something approaching the divine. Pianist Keith Jarrett certainly belongs in that category.
February 2026
Mobile Fidelity Sound Lab / Columbia Records—MFSL 2-567
Format: LP
Musical Performance
Sound Quality
Overall Enjoyment
I hadn’t bought a Mobile Fidelity Sound Lab LP since the 2022 dustup over the sources the label was using for its costly reissues. MoFi’s handling of the issue was imperfect, but in the end, it reached a settlement with disgruntled customers. At this point, the big takeaway from all the noise the scandal created is that it’s silly to assume an original analog tape is the best and only source for cutting an LP.
February 2026
Mark Howard’s name appears in the credits of a lot of records you probably own. He’s worked as a recording and mixing engineer on albums by Bob Dylan, Tom Waits, Marianne Faithfull, Rickie Lee Jones, Chris Whitley, Willie Nelson, Emmylou Harris . . . and the list continues. On many of those albums, he was working with producer Daniel Lanois. He was the engineer on a couple of Lanois’s own albums as well.
January 2026
ECM Records ECM 2860 7849960
Format: CD
Musical Performance
Sound Quality
Overall Enjoyment
By my count, jazz guitarist John Scofield is closing in on 50 albums as a leader or co-leader. Bassist Dave Holland has a similarly large discography as leader, co-leader, and group member on jazz recordings. The two have played together on albums by Herbie Hancock, Joe Henderson, and others, and toured as a duo in 2021 and again in 2024. Those shows led to the decision to record an album together.
January 2026
The first time I heard of Steven Wilson was when I received a copy of Porcupine Tree’s seventh album, In Absentia, for review in 2003. Wilson was the group’s leader, songwriter, and multi-instrumentalist. He also produced the band’s albums and has served in that role for other musicians as well.
December 2025
Riverside Records / Craft Recordings—CR00727
Format: LP
Musical Performance
Sound Quality
Overall Enjoyment
The great jazz guitarist Wes Montgomery enjoyed commercial success in the last few years of his life after he signed with Verve Records in 1964, and gained even more popularity when he moved to A&M Records in 1967, a year before he died. Creed Taylor was his producer in those years and often matched him with various orchestral ensembles, from big bands to strings.
December 2025
Last month, SoundStage! Xperience posted part one of my list of LPs that I think are worth hearing. The records on my list aren’t as popular as others that get heavy airplay or show up in articles in classic rock mags, and they didn’t necessarily sell many copies. But I like them and think they deserve more notice than they often receive. Here are my remaining recommendations, to round out my list to ten.
November 2025
Savoy Records / Craft Recordings—CR00867
Format: LP
Musical Performance
Sound Quality
Overall Enjoyment
Saxophonist Hank Mobley recorded so extensively as a bandleader for Blue Note Records that it’s easy to think he defined the label, or that it defined him. Considering that he also appeared as a sideman on many other Blue Note recordings, those are fair assumptions. However, he did record for other labels, especially at the beginning of his career. Two albums appeared on Prestige Records in 1957, and two on Savoy Records: one in 1956, and one in 1957.
November 2025
In September, I wrote a piece about ten LPs that would make a good start toward building a record collection. Those albums are all well-known and highly regarded, and I chose them because they deserve to be in any good record collection.
October 2025
Most people, I imagine, have looked skyward and wondered about our solar system and beyond. For soprano saxophonist Jane Ira Bloom, what’s out there has been a lifelong source of fascination and musical inspiration. The 70-year-old Boston native has not just been pondering the planets and stars; she has also been drawing inspiration from them to fuel her art. Bloom’s passion for the celestial has been recognized and rewarded: she took part in NASA’s art program and even had an asteroid named after her.
October 2025
The second week in June was a tough one for anyone who grew up in the late 1960s. Two great musicians and troubled souls, Brian Wilson and Sly Stone, died within days of each other at age 82. Both were Californians, although Sly was born in Texas. His family moved to the Bay Area soon after he was born. Brian was born in southern California and spent his life there.
September 2025
Blue Note Records BST 84223, 602455845917
Format: LP
Musical Performance
Sound Quality
Overall Enjoyment
A remarkable number of titles in the catalog of Blue Note Records were released well after their recording dates. In some cases, the delay was only a few years, but in others, the tapes sat in the vault for much longer. Saxophonist Jackie McLean recorded Jacknife in September 1965, but the album first appeared on vinyl in 1975. That release included a second LP of tunes recorded at another previously unreleased session from April 1966.
September 2025
My publisher here at the SoundStage! Network, Doug Schneider, has given me free rein for the nearly 24 years I’ve written for him. Brave man. A few weeks back he sent me an idea for a column: “Ten Great Albums to Start Your Record Collection With.” I responded, “By genre?” To be honest, I was hoping to get three columns out of the idea—one for rock, one for jazz, and one for soul/R&B.
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