CD Music
Michael Gregory Jackson Clarity Quartet: "WHENUFINDITUWILLKNOW"
May 2019
Golden Records MGJCQ 004
Format: CD
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Just as the 1940s and ’50s are considered the most creative era in jazz, the late ’60s and ’70s are seen as the art form’s nadir. Record sales plunged, as buyers turned their attention to rock and singer-songwriters, and bars supplanted live acts with recorded music.
Van Morrison: "The Healing Game (Deluxe Edition)"
April 2019
Exile/Legacy Recordings 88985428402
Format: CD
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Curmudgeonly and unpredictable, at 73 Van Morrison has developed a late-career reputation that sadly overshadows his early triumphs. Like Bob Dylan, if you only judged him based on the man who shambles onstage and grumbles through an assortment of songs that are not necessarily among his best, you might well wonder why he’s considered one of the greatest singers and songwriters of the last 60 years.
Jeanne Lee & Ran Blake: "The Newest Sound You Never Heard"
March 2019
A-Side 0005
Format: CD
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A decade before two young music nerds met at Bard College and sparked the evolution of Steely Dan, two other young oddballs -- 21-year-old Ran Blake and 17-year-old Jeanne Lee -- met on the same campus. Blake was a polymath pianist with a deep interest in Béla Bartók, Claude Debussy, Mary Lou Williams, gospel music, and film noir. Lee was equally eclectic, developing choreography for music by Arnold Schoenberg and simultaneously studying child psychology and literature. When she heard Blake playing piano one March afternoon in 1956, she told him he put her in mind of Art Tatum -- a musician most people would never associate with Blake’s minimalist style -- and he knew immediately that she had impressive ears.
Joe Lovano: "Trio Tapestry"
February 2019
ECM 2615
Format: CD
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As the pre-eminent tenor saxophonist of the past 30 years, Joe Lovano has taken on just about every musical style -- including Third Stream, in collaboration with pioneer Gunther Schuller, and operatic arias. The son of Anthony “Big T” Lovano, who was a tenor-playing hero around his hometown of Cleveland, Joe has been playing the instrument since 1958, when he was five.
Eric Dolphy: "Musical Prophet: The Expanded 1963 New York Studio Sessions"
January 2019
Resonance 2035
Format: CD
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As a late-night FM announcer on a campus radio station, you get to learn a lot about people’s musical obsessions. During my eight-year tenure at CKCU-FM in Ottawa, there was one listener who was a constant presence on the station’s request line. Occasionally, he’d want to engage in conversation; more often, he just said two words: “Play Dolphy.”
Ingrid Jensen and Steve Treseler: "Invisible Sounds: For Kenny Wheeler"
December 2018
Whirlwind 4729
Format: CD
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Few significant musician/composers of the past 75 years remain as enigmatic and misunderstood as Kenny Wheeler, the UK-based trumpeter who died at age 84 in 2014. Not only that, but few musicians are as influential. Ask most contemporary trumpeters about their favorite peers, and Wheeler is sure to be on the list.
Rudy Royston: "Flatbed Buggy"
November 2018
Greenleaf Music 1065
Format: CD
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Few musicians take their geographical influences into the recording studio, and possibly least of all in the jazz realm. To further their careers, young jazz musicians gravitate toward New York City, and to a lesser degree, Los Angeles or Chicago. Whether they’re pursuing advanced education at places like the Manhattan School of Music or chasing gigs with more established players, they usually spend serious time in the big city before gaining the wherewithal to produce a recording. Whatever regionalism they carry with them has generally been erased by the time their music reaches the masses.
The Band: "Music from Big Pink (50th Anniversary Edition)"
October 2018
Capitol B002842202
Format: CD
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“With Music from Big Pink,” wrote musicologist Greil Marcus in his landmark 1975 book, Mystery Train, “the Band presented a rough moral drama. It had none of the mythic clarity of, say, John Ford’s movies; it came through a modern haze, something like Robert Altman’s McCabe and Mrs. Miller, obscure in its plots, dialogue hard to catch, communicating with a blind humor and a cryptic intensity nothing in rock ’n’ roll has ever remotely touched.”
Mark Turner and Ethan Iverson: "Temporary Kings"
September 2018
ECM 2583
Format: CD
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Is music for the whole body or just your brain?
Depends on the day and your mood, I would argue.
Dave Alvin and Jimmie Dale Gilmore: "Downey to Lubbock"
August 2018
Yep Roc 2587
Format: CD
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Scratch the surface of Americana music -- the top layer that includes Emmylou Harris, Steve Earle, and Jason Isbell -- and you’ll find dozens of performers whose career paths have seldom-if-ever taken them to soft-seat concert halls. These are the hardcore singer-songwriters who spend most of each year driving up and down American highways to beer joints, small venues, and the occasional festival. Better-known musicians may cite them as core influences and industry treasures, but chances are the average fan doesn’t know a thing about them.
