October 2020
Blue Note B003239502
Format: CD
Musical Performance
Sound Quality
Overall Enjoyment
Jazz is both blessed and cursed with a creation myth, which is so oft-repeated that you might be able to recite it with me: born in New Orleans, it spread north to Chicago on the first waves of the Great Migration, and then east to New York City. Except, as jazz historian Mark Miller eloquently proved in his 1997 book, Such Melodious Racket, it’s not true.
September 2020
Palmetto 2196
Format: CD
Musical Performance
Sound Quality
Overall Enjoyment
I heard about drummer Matt Wilson before I heard his music, and what I heard about him made me anticipate that first interaction as I had for few other musicians. What I heard about Wilson was that he brought intense joy to everything he played, along with a sense of curiosity, and technique that made him sound like no other drummer on the scene.
July 2020
SteepleChase 31899
Format: CD
Musical Performance
Sound Quality
Overall Enjoyment
If you’re a regular here, or on any of the other SoundStage! Network sites, it’s safe to assume you love music and listen to a lot of it. It’s also likely that you appreciate the subtleties in the characteristics of various musicians -- whether you like jazz, rock, classical, or country. Your ear, to say nothing about your equipment, is sensitive enough to tell the difference between Jimi Hendrix and Jimmy Page, or Carla Bley and Paul Bley, even if they’re playing the same composition.
June 2020
ECM 2679
Format: CD
Musical Performance
Sound Quality
Overall Enjoyment
Duke Ellington and Billy Strayhorn. Pat Metheny and Lyle Mays. Jazz has produced some highly productive and long-lasting collaborative relationships, but none has lasted as long as the one between bassist/composer Steve Swallow and guitarist John Scofield. They’ve worked together, off and on, since Scofield’s 1980 recording, Bar Talk, so it seems appropriate that the guitarist turn to Swallow for both inspiration and collaboration on his debut for ECM Records.
April 2020
Blue Note B0031597
Format: CD
Musical Performance
Sound Quality
Overall Enjoyment
Blue Note Records built its stellar reputation on many factors. Francis Wolff’s in-studio photography, Reid Miles’s iconic cover design, and Rudy Van Gelder’s impeccable soundstage all went into the mix.
February 2020
Skirl 44
Format: CD
Musical Performance
Sound Quality
Overall Enjoyment
In this era of social media dominance, it’s still possible for artists to mature and develop a distinctive voice and musical approach in relative isolation. At least, that’s true in a country as large and regionally self-sufficient as Canada. The proof is in my discovery of Gordon Grdina, a Vancouver-based string player.
January 2020
Legacy/Sony Music 598277
Format: 5 CDs
Musical Performance
Sound Quality
Overall Enjoyment
Fifty years ago, Jimi Hendrix found himself in a quandary. As he entered the final year of his short life and approached his 27th birthday, he was at a crossroads. For a musician who had been on the road almost constantly since leaving the army in 1962, he was uncharacteristically idle. He didn’t have a single concert between a Harlem benefit show on September 5, 1969, and the first of a two-night/four-set stand at New York’s Fillmore East on New Year’s Eve. For someone whose time in the international spotlight lasted only 1430 days, that 122-day span of concert inactivity represented a massive chunk of time.
November 2019
ECM 2667/68
Format: 2 CDs
Musical Performance
Sound Quality
Overall Enjoyment
Sometime around 1970, a young German bassist and record producer named Manfred Eicher sent a letter to American pianist Keith Jarrett, requesting that Jarrett consider making a trio record for Eicher’s nascent ECM Records label. As Eicher recalled it recently for a lengthy DownBeat magazine article in honor of the label’s 50th anniversary, the request was that Jarrett record with drummer Jack DeJohnette and bassist Gary Peacock. Jarrett, two years younger than Eicher, had a different idea. Already well known for his four-year tenure with saxophonist Charles Lloyd’s popular quartet, which included DeJohnette, and having recorded a handful of albums under his own name, the pianist wanted to move in a new direction.
October 2019
True North TND737
Format: CD
Musical Performance
Sound Quality
Overall Enjoyment
If, like me, you grew up in the western annex of Ottawa’s compact urban core, you felt you owned a little piece of Bruce Cockburn, who lived in the area for 18 years. You could recite the names of his early bands: The Flying Circus, Olivus, 3’s a Crowd, and The Children. You got to see him in the tight confines of Le Hibou, the city’s venerable coffeehouse, and you felt a frisson of association when his music caught on worldwide around 1979. If you got to actually rub shoulders with him -- which for me was backstage at Edmonton’s Jubilee Auditorium in 1980, at the time when he dressed in guerrilla fatigues and a black beret -- you felt like you were hanging with a guy from the neighborhood rather than someone who was about to have an international hit with “Wondering Where the Lions Are” and appear on Saturday Night Live.
September 2019
Blue Note B0030782-02
Format: CD
Musical Performance
Sound Quality
Overall Enjoyment
In several ways, guitarist Bill Frisell is the ultimate Baby Boomer improvising musician. Born in Baltimore in 1951, raised in Denver, Frisell grew up listening to the rich panoply of popular music in the ’50s, fell in love with the Beach Boys and the Beatles, and had his mind blown with the rest of us by Jimi Hendrix, Jeff Beck, Eric Clapton, and the other revolutionary electric guitarists of the late ’60s.
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