May 2025
I turned 14 in the summer of 1970, and I went to my first rock concert that fall with my friend Wes. John Sebastian was appearing at Lewisburg, Pennsylvania’s Bucknell University, about a half-hour from where we lived at that time. We had seen the movie Woodstock just a few months earlier, and Sebastian was one of the performers featured in the film.
April 2025
When I attended the Capital Audio Fest in November, I experienced many demo rooms full of impressive gear. I found myself being pulled into a few of them because, even as I was passing by in the hallway, I could hear music that sounded not just good, but lifelike. As I wandered into one such room in particular, I was immediately impressed by the appearance of the turntables, integrated amplifier, and speakers on display. They looked natural, organic, and inviting.
March 2025
A little more than a month ago, SoundStage! publisher Doug Schneider posted a message on Facebook that caught my attention. To be honest, I usually look out for Doug’s posts—they let me know what’s going on at the SoundStage! Network, and in the audio industry in general. This one hit home because it referred to something that has always been at the root of my interest in hi-fi.
February 2025
Rick Beato is a musician, producer, recording-studio owner, and guitar instructor. His YouTube channel, which Beato established in 2015, has 4.7 million subscribers. On the channel, Beato has covered a lot of subjects in the last ten years, diving into everything from music theory to the current state of the recording industry. Beato has become so popular and well established that he’s been able to interview famous musicians on his show, including David Gilmour, jazz guitarist Mike Stern, Rick Wakeman, and Tori Amos.
January 2025
In my November Pulse! column, I made a prediction about the Capital Audiofest, which took place over the weekend of November 8–10 in Rockville, MD, a suburb of Washington, DC. “I can tell you what I’ll hear,” I wrote. “Diana Krall, Sting, Texas Flood by Stevie Ray Vaughan (the Acoustic Sounds reissue), Kind of Blue (Acoustic Sounds again), any number of MoFi titles, and so on.”
December 2024
In 1963, after two years of work at a local television station, Lee Mendelson and Sheldon Fay Jr. embarked on a production venture of their own, Lee Mendelson Film Productions (LMFP), in Burlingame, California, about a 25-minute drive from San Francisco.
November 2024
If you spend any time on the internet—and since you’re reading an article on the SoundStage! Network, I’m assuming you do—you start to get ads and links to articles that are targeted to your interests. A banner at the side of my email homepage includes links to Audio Advisor, Music Direct, and other audio dealers. Facebook throws more stuff at me than I can possibly keep up with, and a big portion of it has to do with high-end audio.
October 2024
The day the news of John Mayall’s death appeared, my sister called to ask if I knew who he was. I’ve had Mayall records in my collection as long as I can remember, and I’m sure she must have heard at least some of his music while we were growing up. Most of the obituaries I have read have highlighted the many well-known musicians who passed through his bands, but they also did a good job of covering Mayall’s own accomplishments in music.
September 2024
Each month, Stereophile magazine opens with an opinion column called “As We See It.” Usually editor Jim Austin writes the column, but occasionally he gives the space over to a guest writer. For the August 2024 issue, contributing editor Tom Fine joined Austin to write about the demise of the Compact Disc. They begin with a firm prognostication: “When the CD is gone, and it will be soon, we will miss it.”
August 2024
As I’ve noted many times in this space, I started collecting records when I was about 12 years old, and I’ve never stopped. I’ve also written on several occasions about my initial dislike of CDs and my continued commitment to vinyl—even when the experts proclaimed that CDs would banish LPs from the earth.
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