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Pulse!

Some Records You Should Hear—Part Two

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Pulse!

December 2025

Last month, SoundStage! Xperience posted part one of my list of LPs that I think are worth hearing. The records on my list aren’t as popular as others that get heavy airplay or show up in articles in classic rock mags, and they didn’t necessarily sell many copies. But I like them and think they deserve more notice than they often receive. Here are my remaining recommendations, to round out my list to ten.

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Some Records You Should Hear—Part One

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Pulse!

November 2025

In September, I wrote a piece about ten LPs that would make a good start toward building a record collection. Those albums are all well-known and highly regarded, and I chose them because they deserve to be in any good record collection.

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The Cost of Genius

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Pulse!

October 2025

The second week in June was a tough one for anyone who grew up in the late 1960s. Two great musicians and troubled souls, Brian Wilson and Sly Stone, died within days of each other at age 82. Both were Californians, although Sly was born in Texas. His family moved to the Bay Area soon after he was born. Brian was born in southern California and spent his life there.

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Ten Records to Start Your LP Library

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Pulse!

September 2025

My publisher here at the SoundStage! Network, Doug Schneider, has given me free rein for the nearly 24 years I’ve written for him. Brave man. A few weeks back he sent me an idea for a column: “Ten Great Albums to Start Your Record Collection With.” I responded, “By genre?” To be honest, I was hoping to get three columns out of the idea—one for rock, one for jazz, and one for soul/R&B.

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Pop Culture and Its Discontents

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Pulse!

July 2025

Last month’s print edition of The Atlantic included a noteworthy article by Spencer Kornhaber, a staff writer for the magazine. The piece, entitled “Is This the Worst-Ever Era of American Pop Culture?,” also appeared on the magazine’s website. Kornhaber’s article included conversations he’d had with several critics about the state of contemporary culture. He took a lengthy look at the visual arts and made a few quick references to film and television, but the bulk of the article was about pop music.

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Signal and Noise, or How I Learned About Phono Preamps

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Pulse!

June 2025

Earlier this spring, SoundStage! Access editor Dennis Burger set up a video chat with a few SoundStage! Network writers to discuss phono preamps. Thom Moon, Jason Thorpe, and I shared our opinions about the advantages of phono preamps over the phono stages included in an integrated amp, preamp, or receiver. We also discussed the phono preamps we liked and why we preferred them over others. Our preferences were subjective, of course.

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Peter Wolf, the J. Geils Band, and the Glories of Live Music in the 1970s

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Pulse!

May 2025

I turned 14 in the summer of 1970, and I went to my first rock concert that fall with my friend Wes. John Sebastian was appearing at Lewisburg, Pennsylvania’s Bucknell University, about a half-hour from where we lived at that time. We had seen the movie Woodstock just a few months earlier, and Sebastian was one of the performers featured in the film.

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A Visit to Fern & Roby in Richmond, Virginia

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Pulse!

April 2025

When I attended the Capital Audio Fest in November, I experienced many demo rooms full of impressive gear. I found myself being pulled into a few of them because, even as I was passing by in the hallway, I could hear music that sounded not just good, but lifelike. As I wandered into one such room in particular, I was immediately impressed by the appearance of the turntables, integrated amplifier, and speakers on display. They looked natural, organic, and inviting.

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Why Vinyl, Indeed

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Pulse!

March 2025

A little more than a month ago, SoundStage! publisher Doug Schneider posted a message on Facebook that caught my attention. To be honest, I usually look out for Doug’s posts—they let me know what’s going on at the SoundStage! Network, and in the audio industry in general. This one hit home because it referred to something that has always been at the root of my interest in hi-fi.

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Is Rock’n’Roll on Life Support?

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Pulse!

February 2025

Rick Beato is a musician, producer, recording-studio owner, and guitar instructor. His YouTube channel, which Beato established in 2015, has 4.7 million subscribers. On the channel, Beato has covered a lot of subjects in the last ten years, diving into everything from music theory to the current state of the recording industry. Beato has become so popular and well established that he’s been able to interview famous musicians on his show, including David Gilmour, jazz guitarist Mike Stern, Rick Wakeman, and Tori Amos.

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  1. Capital Audiofest: A History and Overview
  2. Charlie Brown on BioVinyl
  3. Music and the Audiophile Future
  4. John Mayall, 1933–2024
  5. Are These the Last Days of the CD?
  6. Record Store Day and Vinyl Culture
  7. A Trip to the Poconos to Visit Rogue Audio
  8. Buying Used LPs, On- and Offline
  9. Rega Research Limited: A History
  10. Liverpool Diamonds: 60 Years of The Beatles
  11. Sam First Bar / Sam First Records
  12. Really Expensive Vinyl
  13. Some Holiday Favorites
  14. Reappraising . . . or Maybe, Just Enjoying
  15. The Well-Tempered (Affordable) Turntable
  16. Rock’n’Roll Death Rattle
  17. Stupid Audiophile Tricks
  18. The Mobile Fidelity Settlement—an Update
  19. A Second Trek through the Vinyl Jungle with MoFi
  20. An Interview with Mastering Engineer Kevin Gray
  21. An Interview with Producer Joe Harley
  22. Vinyl's Growing (or Not Growing) Pains
  23. Experience "Xperience" Anew
  24. Making Records: Blue Sprocket Pressing Plant Tour
  25. What I Heard: 2022
  26. Fix It in the Mix: Mixing
  27. Fix It in the Mix: Recording a Rock Band
  28. Fix It in the Mix: A Seven Nation Army of Me
  29. Fix It in the Mix: All About Mike(s)
  30. Fix It in the Mix: The Plan
  31. The Gear You'll Need to Set Up Your Own Recording Studio
  32. Mark Phillips: Audiophile, Recording Engineer, and Now SoundStage! Contributor
  33. Dire Straits on MoFi Vinyl
  34. Best of the Decade in Jazz
  35. Wayne Shorter and Chick Corea Reissued in Blue Note's Tone Poet Series
  36. Bernie Grundman Remasters Frank Zappa
  37. Two I Missed the First Time Around: Judee Sill and Murray Head
  38. Newvelle Records' Subscription LP Service
  39. Is There Room for Taste in Audio?
  40. Is High-End Audio Still About Music?
  41. A Crisis in Headphone Measurement?
  42. What Does a Brand Mean in 2018?
  43. The Differences Between Home Theater and High-End Audio . . . Two Decades On
  44. The Problem with Blind Testing
  45. Is It Possible to Say Something Stupid About Audio?
  46. Do Digital Masters Ruin Vinyl Records?
  47. The Indispensable Headphones -- and What They Say About What Matters Most
  48. What We Really Need from New Audio Products
  49. Does Love of Physical Media Have Anything to Do With Love of Music?
  50. What Does Samsung's Purchase of Harman Portend?
  51. Can Headphone Measurements Get Better?
  52. Science, Belief, and Audio
  53. The Five Best New Headphones and Earphones from CES 2017
  54. Six Audio Predictions for 2017
  55. Can We Know What the Artist Intends?
  56. How Audio Products Are Really Designed
  57. Is It Valid to Say that an Audio Product Sucks?
  58. Four Rules for Getting Great In-Wall Sound
  59. Why Most Audio Products Don't Deserve Glowing Reviews
  60. What the USB-C Revolution Will Mean for Headphones
  61. The Future of Headphone Listening
  62. A Cheap Wireless Speaker Shows the Future of Audio
  63. A Shakeup at Sonos Shakes Up the Audio Industry
  64. Can You Trust Customer Reviews on Amazon?
  65. The Five Best New Headphones at CES 2016
  66. What We Can and Can't Tell from Measurements of Headphones
  67. Why Hi-Rez Audio Still Struggles
  68. The Five Best Noise-Canceling Headphones and Earphones (According to Me)
  69. Why Believing in Headphone Break-in Can Be Harmful
  70. The Most Promising (and Unexplored) Area in High-End Audio
  71. The Five Best Closed-Back, Over-Ear Headphones (According to Me)
  72. Does a Product's Backstory Matter?
  73. The Five Best Earphones (According to Me)
  74. Why Headphone Amps Drive Me Nuts
  75. We Need a New Definition of "Audiophile"
  76. How Bad are Digital Streams and Downloads?
  77. What CES 2015 Means for the Future of Audio
  78. The Biggest Audio Development of 2014
  79. Why Simpler Isn’t Always -- or Even Usually -- Better
  80. Audiophiles: Stop Hating on Science!
  81. Should You Listen to Someone Who Criticizes Your Taste in Headphones?
  82. Dolby Atmos: A Lot More than More Channels
  83. Do Subwoofers Have a Sound?
  84. Why Dynamic-Range Compression Is Not the Work of the Devil
  85. Why Designing Wireless Speakers and Soundbars Is So Different . . . and So Much Harder
  86. What Measurements Really Tell You About Headphones
  87. The Point People Are Missing About Pono
  88. Why You Shouldn’t Ridicule the Bluetooth Speaker
  89. Are Headphones for Serious Listening?
  90. Binaural Recordings
  91. A Modern A/V Receiver: The Onkyo TX-NR808
  92. Cheap Stuff Can Be Surprisingly Good
  93. All About the 6th-Generation Apple iPod Nano
  94. ThinkFlood RedEye Universal Remote Application and Transmitter
  95. How I Learned to Stop Worrying and Love Home Audio
  96. Is Bipolar Dead?
  97. Media Players and Servers: Something for Everyone
  98. (Don’t) Look Before You Leap
  99. In Praise of 5.1
  100. 3D Home Theater: Should You Wait?
  101. iPod Touch Apps: Free is Good
  102. The Apple iPad and Alternatives
  103. New Integrated Amps Are Truly Integrated

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