December 2016
A pro-audio company recently asked me to run measurements on a prototype recording monitor -- the kind of speaker recording engineers and producers use to listen to what they’re recording and mixing. I thought the task would be simple. I own a pair of Genelec recording monitors, and they measure almost perfectly: nearly dead flat on axis, with a smoothly increasing treble rolloff as I move off axis. But the job turned out to be quite complicated, and it raised some questions about what, exactly, I should be listening for when I test speakers and headphones.