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Nina Simone: "Fodder on My Wings"
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May 2020
Verve 00602508685965
Format: 16-bit/44.1kHz WAV download
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Seventeen years after her death -- from breast cancer at the age of 70 -- pianist/singer Nina Simone remains one of the most misunderstood musicians who achieved the peak of their popularity in the 1960s. Posthumous books, films, and articles have shed some light on her bipolar disorder and the rages, rants, and other related behavior that often made headlines. We now understand how the course of her career was altered, and her view of racism hardened, by her inability to step as easily as white peers did from studies at the Juilliard School in New York City into a life as a concert pianist.
Lina Allemano: “Glimmer Glammer” / Lina Allemano’s OHRENSCHMAUS: “Rats and Mice”
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March 2020
Lina Allemano: “Glimmer Glammer”
Lumo LM 2019-9
Format: 16-bit/44.1kHz WAV download
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Lina Allemano’s OHRENSCHMAUS: “Rats and Mice”
Lumo LM 2019-10
Format: 16-bit/44.1kHz WAV download
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Recently, I moderated a pair of panel discussions featuring jazz promoters, publicists, and artists from Europe and Canada. Our topics focused on how digital technology has changed the international music business, and how those of us who work within it must change the traditional model of getting music to the listening public.
Anthony Braxton: "Quartet (New Haven) 2014"
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August 2019
Firehouse 12 FH12-04-02-030
Format: 16-bit/44.1kHz FLAC download
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Anthony Braxton loves Merle Haggard.
That’s right. Braxton. The cardigan-wearing, pipe-puffing cypher who plays every reed instrument under the sun and gives obscure titles to his avant-garde compositions. He loves the Okie from Muskogee so much that he and his bandmates -- guitarist Nels Cline, trumpeter Taylor Ho Bynum, and drummer Greg Saunier -- devote an entire hour of this four-hour improvised session to him. According to the other dedications on Quartet (New Haven) 2014, he also digs Janis Joplin, Jimi Hendrix, and James Brown.
Andy Biskin & 16 Tons: "Songs from the Alan Lomax Collection"
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July 2018
Andorfin ANDRF-007
Format: 16-bit/44.1kHz FLAC download
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The world is now so hyperconnected that only those of a certain age can recall a time when essentially any commercially released music was not available at our fingertips. The world still held untapped discoveries, and it was up to stalwart explorers like ethnomusicologist Alan Lomax to open our ears to unknown possibilities by bringing obscure artists into the light.
Endless Field: "Endless Field"
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June 2017
Biophilia BREP0007
Format: 16-bit/44.1kHz WAV download
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In June 2009, I was speaking backstage at a jazz festival with trumpeter Dave Douglas about how musicians were addressing the changing nature of the music industry. At the time, he was four years into running his own distribution company -- Greenleaf Music -- and was still experimenting with new ways to reach audience members.
Macy Gray: "Stripped"
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November 2016
Chesky 389
Format: 24-bit/192kHz AIFF download
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From Norah Jones to my friend and homegirl Kellylee Evans, there has been a trend among up-and-coming women jazz singers to make the jump to more commercial music as soon as they make their initial breakthrough. Who can blame them? Pop is where the large audiences -- and money -- live.
Steven Wilson: "Hand. Cannot. Erase."
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March 2015
Urban Nightmare, Audiophile Dream
Kscope/HDtracks
Format: 24-bit/96kHz AIFF download
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Steven Wilson's musical expressions have been getting more diverse and colorful as he evolves through and beyond progressive rock. Hand. Cannot. Erase. is tough to categorize. What do we call it -- rock opera, rock oratorio, social statement? Perhaps all of them apply. It was inspired by the story of Joyce Vincent, a young woman who was found dead in her flat in 2006. She'd been dead since 2003. Automatic accounts had paid her bills, and her family supposedly thought she had moved away. Wilson sees this event as the invasion of social media into our lives. As told to Record Collector, "It is a way of withdrawing from human interaction that gives the illusion of being connected." Joyce Vincent was/wasn't there.
John Coltrane Quartet: "Ballads"
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November 2014
Blowing the Cobwebs off Another Classic Jazz Album
HDTT (High Definition Tape Transfers)
Format: 24-bit/96kHz FLAC download
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When I reviewed Ella Fitzgerald's Ella Swings Brightly with Nelson some months ago, I mentioned that I hoped Bob Witrak, CEO of High Definition Tape Transfers, would look for more jazz four-track tapes that he could use as masters for great-sounding downloads.
The Gloaming: "The Gloaming"
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August 2014
Bowers & Wilkins Offers HD Musical Adventures at a Low Cost
Bowers & Wilkins Society of Sound
Format: 24-bit/48kHz FLAC download
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To me, loving music means taking a chance with it in order to discover new artists and explore new paths. Sure it's OK to let Entertainment Weekly or Rolling Stone guide me a bit, but it's when I get off the beaten track that I discover wonders that seem like they were crafted just for me. But I'm into only high-quality audio -- above CD quality whenever possible -- and downloads and specialized formats can cost a bundle. So I was so happy, four years ago, to discover Bowers & Wilkins's Society of Sound. I'd let my membership lapse, but I got back on this summer to find that the roster of artists had completely changed.
Ella Fitzgerald and Nelson Riddle: "Ella Swings Brightly with Nelson"
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April 2014
Blowing the Cobwebs off a Classic Album
HDTT (High Definition Tape Transfers)
Format: 24-bit/96kHz FLAC download
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Just as downloads were becoming a high-quality challenge to other delivery formats, Robert Witrak had the idea to use commercially produced two- and four-track 7 1/2-IPS tapes as masters from which to derive those downloads. Lately HDTT has gotten into overkill, offering DSD and up to 24-bit/192kHz-resolution downloads of material mostly recorded in the 1950s and '60s. I doubt that there's really any material on the original commercial tapes that warrants such high sampling rates, but I must admit that overall, HDTT's releases can sound very good, often eclipsing the sound of corresponding LPs and CDs.
