November 2024
Pacific Jazz—ST 10, Blue Note Records—602448650498
Format: LP
Musical Performance
Sound Quality
Overall Enjoyment
Blue Note’s Tone Poet series is in its fifth year, and producer Joe Harley is reaching deep into the label’s catalog to reissue some wonderful but often undervalued jazz recordings. In addition, the Tone Poet series continues to include jazz titles from other labels that have over the years become part of Blue Note’s holdings, including Pacific Jazz and United Artists.
November 2024
If you spend any time on the internet—and since you’re reading an article on the SoundStage! Network, I’m assuming you do—you start to get ads and links to articles that are targeted to your interests. A banner at the side of my email homepage includes links to Audio Advisor, Music Direct, and other audio dealers. Facebook throws more stuff at me than I can possibly keep up with, and a big portion of it has to do with high-end audio.
November 2024
Peter Guralnick’s essential book on Southern soul, Sweet Soul Music (1986), begins with a long rumination on, among other things, what defines the music. After giving some background on his reasons for writing the book and the research it required, he wrote: “I suppose I should make it clear from the outset that when I speak of soul music, I am not referring to Motown, a phenomenon almost exactly contemporaneous, but appealing far more to a pop, white, and industry-slanted kind of audience.
October 2024
Sam First Records—SFR 006
Format: LP
Musical Performance
Sound Quality
Overall Enjoyment
Earlier this year, on February 16, I followed a link to a live stream of a performance by alto saxophonist Devin Daniels at Sam First, a bar in Los Angeles that I wrote about that same month. Sam First sells tickets to its shows online. If you’re in Los Angeles, you can attend a performance at the bar for $25. If you’re somewhere else but want to see and hear the musicians, you can pay $10 for access to a live stream. Daniels did a two-night stand at Sam First, with shows on the 16th and 17th.
October 2024
The day the news of John Mayall’s death appeared, my sister called to ask if I knew who he was. I’ve had Mayall records in my collection as long as I can remember, and I’m sure she must have heard at least some of his music while we were growing up. Most of the obituaries I have read have highlighted the many well-known musicians who passed through his bands, but they also did a good job of covering Mayall’s own accomplishments in music.
October 2024
It’s easy to fall into the trap of returning again and again to the artists who have already caught your ear. Take, for example, saxophonists Chris Potter, Charles Lloyd, and Miguel Zenón. When these endlessly expressive musicians release new albums, which they do at least once a year, I feel compelled to listen to them. Dozens upon dozens of other great musicians I follow, across a wide spectrum of instruments and music genres, also release albums regularly, and as a professional critic, I receive an average of 400 unsolicited recordings a year too, mostly as digital files. As much as I’d love to, I can’t possibly listen to them all.
September 2024
Anti- Records 88009-1
Format: LP
Musical Performance
Sound Quality
Overall Enjoyment
Singer-songwriter Katy Kirby’s debut solo album, Cool Dry Place (2021), was released on the independent label Keeled Scales in 2021. The album received warm reviews and made the end-of-year best-of lists of several magazines. Kirby moved to Anti- Records for Blue Raspberry, but she stayed with Alberto Sewald and Logan Chung, the two producers who worked on the first album. Cool Dry Place was a good showcase for Kirby’s songwriting talents, but her sophomore album brings her voice forward in the mix and contains a richer instrumental and sonic palette.
September 2024
Each month, Stereophile magazine opens with an opinion column called “As We See It.” Usually editor Jim Austin writes the column, but occasionally he gives the space over to a guest writer. For the August 2024 issue, contributing editor Tom Fine joined Austin to write about the demise of the Compact Disc. They begin with a firm prognostication: “When the CD is gone, and it will be soon, we will miss it.”
August 2024
Cuneiform Records Rune 530/531/532/533
Format: LP
Musical Performance
Sound Quality
Overall Enjoyment
Since 1996, Cuneiform Records has released quite a few previously unavailable recordings by the English prog-rock band Soft Machine. Most of them have been live albums sourced from soundboard recordings, or from performances filmed for European television. Two years ago, Cuneiform released Facelift France & Holland, containing recordings of 1970 live shows by a short-lived quintet version of the band. Last year, the label unveiled The Dutch Lesson, a 1973 performance in Rotterdam by the group’s second quartet lineup.
August 2024
As I’ve noted many times in this space, I started collecting records when I was about 12 years old, and I’ve never stopped. I’ve also written on several occasions about my initial dislike of CDs and my continued commitment to vinyl—even when the experts proclaimed that CDs would banish LPs from the earth.
Note: for the full suite of measurements from the SoundStage! Audio-Electronics Lab, click this link.
August 2024
For the three years following late September, 1970, not a day passed without me listening to Jimi Hendrix. For various reasons, I had missed most of the guitarist’s supercharged, stratospheric rise to fame. I only began seriously listening to his music with the release of Hendrix’s final official album, Band of Gypsys (1970), and then I couldn’t get enough. I’d begun buying LPs—just $3.33 each for the stereo versions at my local discount store—in 1965. Within the year I had a small stack of vinyl: Bob Dylan’s Highway 61 Revisited; the Rolling Stones’ 12 × 5 and The Rolling Stones, Now!; the Dave Clark Five’s Glad All Over; and Beach Boys Concert. Ironically, it was the lovable Monkees—whose 1967 US tour had featured the newly formed Jimi Hendrix Experience as an unlikely opening act—that led me to overlook the guitarist’s earlier work.
July 2024
Polydor Records 5888429 (CD), 5885024 (LP)
Formats: CD and LP
Musical Performance
Sound Quality
Overall Enjoyment
English singer-songwriter Paul Weller turned 66 on May 25, 2024, the day Polydor released his 17th album. Weller began writing and recording the songs for 66 in 2021, during the COVID-19 lockdown, and collaborated with other songwriters on most of the album’s 12 tracks. He also pulled in a long and varied list of musicians to help with the sessions, which took place over a three-year period at his Black Barn Studios in Surrey, UK.
July 2024
A few weeks ago, my wife and I pulled into the parking lot of Rogue Audio, which is located in the Pocono Mountains region of Pennsylvania. We were camping at a nearby state park, and when I found out the park was only about a half hour from Rogue, I thought it would be a good idea to arrange a visit. I had purchased a Rogue Audio Sphinx v3 a few months earlier and wanted to see where my integrated amp was born.
Note: for the full suite of measurements for the PSB Imagine B50 loudspeaker performed in the anechoic chamber at Canada’s National Research Council, click this link.
July 2024
In last month’s column, I looked at two jazz recordings released in the early ’60s and how they represented part of the last wave of releases before the onslaught of the British Invasion. If anyone took that as my agreement with the “jazz is dead” trope, this column should serve as a spirited rebuttal.
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