CD Music
Mark Feldman: "Sounding Point"
March 2021
Intakt 354
Format: CD
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There’s a truism in music that well-trained classical musicians can’t improvise or swing enough to play jazz, and that jazz musicians who read well can perform the classics but can’t sound authentic playing folk music like country or blues. It’s not really a knock against musicians; you wouldn’t want a brain surgeon to replace your hip, either. The fact is, the deeper you go into a specialty, the more constrained you are.
Chris Potter: "There Is a Tide"
February 2021
Edition EDN1168
Format: CD
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If history tells us anything about what we’ve all been living through in the past year, it’s safe to predict that millions of words will be written about the lasting effects the pandemic and our various forms of isolation will have on how we live. One of the most thought-provoking observations I’ve heard directly came from the gifted young jazz pianist Christian Sands.
Sonny Rollins: "Rollins in Holland"
January 2021
Resonance 2048
Format: CD
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Instrumental virtuosity can be a mixed blessing, even if some of us would put it in the category of “nice problem to have.”
The Nels Cline Singers' "Share the Wealth" and Dave Douglas's "Marching Music"
December 2020
The Nels Cline Singers: Share the Wealth
Blue Note 0737079
Format: CD
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Dave Douglas: Marching Music
Greenleaf Music 1078
Format: CD
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Jimi Hendrix’s epochal “Machine Gun” in the time of Richard Nixon, the Clash’s unforgiving “Clampdown” in Margaret Thatcher’s Britain, Bruce Springsteen’s elegiac “Long Walk Home” in response to George W. Bush: musicians frequently have created some of their best work in response to autocratic leadership and social oppression. Those artists who employ vocals can easily make their opposition known; for composers who work in instrumental settings, it’s a higher bar.
Cindy Blackman Santana: "Give the Drummer Some"
November 2020
Copperline 105
Format: CD
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At 60, drummer Cindy Blackman Santana has had an exceptionally varied career that has seen her perform at both massive arenas and tiny clubs. The former came courtesy of her long tenure with singer-guitarist Lenny Kravitz, whom she first played with in 1993, the latter from her long apprenticeship as a jazz musician. In an interview, she once told me that the primary difference was what happened before and after the shows.
Ron Miles: “Rainbow Sign”
October 2020
Blue Note B003239502
Format: CD
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Jazz is both blessed and cursed with a creation myth, which is so oft-repeated that you might be able to recite it with me: born in New Orleans, it spread north to Chicago on the first waves of the Great Migration, and then east to New York City. Except, as jazz historian Mark Miller eloquently proved in his 1997 book, Such Melodious Racket, it’s not true.
Matt Wilson Quartet: "Hug!"
September 2020
Palmetto 2196
Format: CD
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I heard about drummer Matt Wilson before I heard his music, and what I heard about him made me anticipate that first interaction as I had for few other musicians. What I heard about Wilson was that he brought intense joy to everything he played, along with a sense of curiosity, and technique that made him sound like no other drummer on the scene.
Ran Blake & Andrew Rathbun: "Northern Noir"
July 2020
SteepleChase 31899
Format: CD
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If you’re a regular here, or on any of the other SoundStage! Network sites, it’s safe to assume you love music and listen to a lot of it. It’s also likely that you appreciate the subtleties in the characteristics of various musicians -- whether you like jazz, rock, classical, or country. Your ear, to say nothing about your equipment, is sensitive enough to tell the difference between Jimi Hendrix and Jimmy Page, or Carla Bley and Paul Bley, even if they’re playing the same composition.
John Scofield: "Swallow Tales"
June 2020
ECM 2679
Format: CD
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Duke Ellington and Billy Strayhorn. Pat Metheny and Lyle Mays. Jazz has produced some highly productive and long-lasting collaborative relationships, but none has lasted as long as the one between bassist/composer Steve Swallow and guitarist John Scofield. They’ve worked together, off and on, since Scofield’s 1980 recording, Bar Talk, so it seems appropriate that the guitarist turn to Swallow for both inspiration and collaboration on his debut for ECM Records.
Kandace Springs: "The Women Who Raised Me"
April 2020
Blue Note B0031597
Format: CD
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Blue Note Records built its stellar reputation on many factors. Francis Wolff’s in-studio photography, Reid Miles’s iconic cover design, and Rudy Van Gelder’s impeccable soundstage all went into the mix.
