Take 6: "The Most Wonderful Time of the Year"

November 2010 

201012_take6Hearthside Holiday Music That’s Smooth as Silk

Heads Up HUCD3158
Format: CD  

Musical Performance
****
Sound Quality
***1/2
Overall Enjoyment
****

The a cappella group Take 6 has wowed audiences around the world with its virtuoso vocal style, earning them ten Grammy Awards. This is their third holiday album, and except for “I Saw Three Ships” and “It Came Upon the Midnight Clear,” it’s composed of secular holiday chestnuts that conjure up images of snowfall as seen from a cozy cabin heated by a roaring fire. Things get off to a rousing start with “It’s the Most Wonderful Time of the Year,” which, like most of Take 6’s repertory, is mellow but has a lot of bounce and life.

A calypso-like version of “White Christmas” follows, and I must say that it’s refreshing to hear this new twist on an almost too-often-sung favorite. Up next is a humorous version of “You’re a Mean One, Mr. Grinch.” A bouncy take on Leroy Anderson’s “Sleigh Ride” follows, leading to a jazzy version of “I’ll Be Home for Christmas.” “Jingle Bells” receives a surprisingly languid and laid-back interpretation, which perhaps sheds new light on it. The final track finds guest pianist and singer Shelea Frazier joining the group for Vince Guaraldi’s “Christmas Time Is Here."

The sound is lush, smooth and homogenized. I would have liked a little bit more clarity and less overt mixing, but the somewhat breathy (bordering on overly reverberant) sonics actually fit the singing well. If you’re looking for a new “chestnuts roasting on an open fire” type of holiday set, you’ll like this one.

Be sure to listen to:  Track 7 is a vocals-but-no-words version of “Dance of the Sugar Plum Fairy” from Tchaikovsky’s The Nutcracker. With its finger snapping and vocal scoops, it sounds like the singers might have had too much hot-buttered rum. I can’t decide if I like it or not, but it certainly got my full attention.

 . . . Rad Bennett
radb@soundstagenetwork.com

More SoundStage! Videos

  • Is Room Correction the Answer? The NAD M33 Integrated Amplifier Review (Take 2, Ep:18)
  • Can Small Speakers Sound Better? DALI Menuet SE Loudspeaker Review (Take 2, Ep:17)
  • Peter Thomas: From the BBC to PMC - SoundStage! Icons (October 2020)
  • Focal Diablo Utopia Colour Evo Loudspeaker Review (Take 2, Ep:16)
  • Sonus faber's Paolo Tezzon on the New Lumina Loudspeakers - SoundStage! Talks (October 2020)
  • Is This the Best Class-D Amplifier? Purifi Audio's Eigentakt Amplifier Review (Take 2, Ep:15)
  • The Simaudio Moon Product Universe - SoundStage! Talks (September 2020)
  • Magico A1 Loudspeaker Review (Take 2, Ep:14)
  • Inside the KEF LS50 Meta - SoundStage! InSight (October 2020)
  • Naim Audio Supernait 3 Integrated Amplifier Review (Take 2, Ep:13)
  • Elac Alchemy DDP-2 Streaming DAC/Preamp Review (Take 2, Ep:12)
  • How Hegel Approaches Integrated Amplifiers - SoundStage! Talks (September 2020)
  • Nordost Talks Clocks, Oscillations, and Synchronization - SoundStage! Talks (September 2020)
  • PMC Fact.8 Signature Loudspeaker Review! (Take 2, Ep:11)
  • Which is Better? Elac Navis ARB-51 vs. Focal Shape 65 (Take 2, Ep:10)
  • Amphion for the Home, the Studio, and Billie Eilish - SoundStage! Talks (August 2020)
  • The NEW Hegel H95 Integrated Amplifier Review ! (Take 2, Ep:9)
  • Estelon: Loudspeaker Excellence and Originality from Estonia - SoundStage! Talks (August 2020)
  • Zero-Distortion Amplification: Halcro Out of Hiatus - SoundStage! Talks (August 2020)
  • Best Active Speaker? Elac Navis ARB-51 Speaker Review (Take 2, Ep:8)
  • Vivid Audio's Inventive and Spectacular S12 Loudspeaker - SoundStage! InSight (August 2020)
  • Qobuz Hi-Res Traction and Younger Listeners, with David Solomon - SoundStage! Talks (July 2020)
  • Schiit Audio Ragnarok 2 Integrated Amplifier Review (Take 2, Ep:7)