CD Music
Dave Alvin and Jimmie Dale Gilmore: "Downey to Lubbock"
August 2018
Yep Roc 2587
Format: CD
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Scratch the surface of Americana music -- the top layer that includes Emmylou Harris, Steve Earle, and Jason Isbell -- and you’ll find dozens of performers whose career paths have seldom-if-ever taken them to soft-seat concert halls. These are the hardcore singer-songwriters who spend most of each year driving up and down American highways to beer joints, small venues, and the occasional festival. Better-known musicians may cite them as core influences and industry treasures, but chances are the average fan doesn’t know a thing about them.
Willie Nelson: "Last Man Standing"
June 2018
Legacy 19075827252
Format: CD
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Here’s the thing: Willie Nelson is 85 years old, and I’ve given up on him making another Red Headed Stranger. That’s okay; one album like that 1975 genre-defying masterpiece surpasses what most musicians accomplish in a lifetime -- even one as long and productive as Nelson has lived.
Miles Davis & John Coltrane: "The Final Tour: The Bootleg Series, Vol.6"
Columbia/Legacy 88985448392
Format: 4 CDs
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At the dawn of the 1960s, trumpeter Miles Davis -- then 33 -- was on the cusp of reaching a new level in his career. Five years into a lucrative recording contract with Columbia Records, he was, along with Duke Ellington, the only black musician in the upper echelons of the prestigious label’s roster. His band -- featuring saxophonist John Coltrane, pianist Wynton Kelly, bassist Paul Chambers, and drummer Jimmy Cobb -- was a popular attraction throughout the US. Supplemented by saxophonist Cannonball Adderley and pianist Bill Evans, the band had released Kind of Blue four months earlier, and the album was already garnering the critical reception that would eventually make it one of the most respected recordings in the history of jazz. Outside of music, Davis was being cited by cultural observers like Playboy magazine as an icon of sartorial and behavioral style. He wore tailored Italian suits, drove a Ferrari, lived in a three-story brownstone on New York City’s Upper West Side, and was married to an equally fashionable former Broadway dancer.
Jimi Hendrix: "Both Sides of the Sky"
April 2018
Experience Hendrix/Legacy
Format: CD
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Sometime in the mid-’70s, one of Rolling Stone’s waggish music critics began a review of one of the pastiche post-mortem recordings that surfaced in the decade after Jimi Hendrix’s death on September 18, 1970, with the words “Scrape, scrape.”
Stephane Wrembel: "The Django Experiment III"
March 2018
Water Is Life 13
Format: CD
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For an artist with a wholly individual technique and a career that spanned only 25 years, guitarist Django Reinhardt’s posthumous influence on popular music is challenged only by that of Jimi Hendrix and Charlie Parker. Sixty-five years after his death, at the age of 43, Reinhardt’s melodic fluency, harmonic sophistication, and rhythmic flow not only set the bar for jazz guitarists but gave birth to an informal school of followers that flourishes worldwide.
Joe Satriani: "What Happens Next"
February 2018
Legacy 19075802312
Format: CD
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All hail the riff. From the elemental, slow-motion growl of Link Wray’s “Rumble” through Keith Richards’s just-woke-from-my-coma fuzzy progression of “Satisfaction” onward, guitar-based rock has lived or died on memorable note choices. As advanced as amplification, electronic effects, and recording technology have become, it still comes down to how you make that joyful noise on your six strings.
Mavis Staples: "If All I Was Was Black"
January 2018
Anti- 87557
Format: CD
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As a child in Chicago, Mavis Staples idolized Mahalia Jackson, a towering figure in gospel music who attained such stature that she was invited to perform at John F. Kennedy’s inauguration in 1961. Young Mavis got first-hand exposure to Jackson through the established performer’s friendship with Roebuck “Pops” Staples, the patriarch of the Staple Singers and an important -- though often overlooked -- link between the seminal Mississippi Delta guitarists and the urban gospel-soul of artists like Curtis Mayfield, Sly Stone, and Marvin Gaye.
ECV: "Sticks and Stones"
December 2017
Kwimu Music
Format: CD
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When you’ve heard someone play music as often as I’ve heard Ottawa-based guitarist Roddy Ellias over the past 40 years, it’s easy to overlook some of the things you hear; not to say that you ever actually take their musicianship for granted. With the 68-year-old Ellias, who has been more than a passing acquaintance for much of those four decades, it’s not so much familiarity or ubiquity that contributes to that state as his quiet self-deprecation. He’s so low key that it’s easy to forget that he’s both a world-class player and composer.
Living Colour: "Shade"
November 2017
Megaforce
Format: CD
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Outrageously overlooked in the annals of recent rock history in favor of other mid-’80s bands like Metallica and Guns N’ Roses, Living Colour is back, and sounding tougher than ever. The quartet’s sixth album -- its first since 2009 -- is an extended meditation on the blues that is stuffed full of slamming guitar hooks and uncompromising social commentary.
Gregg Allman: "Southern Blood"
October 2017
Rounder 1166100054
Format: CD
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The first music review I had published examined an album by Gregg Allman. By then, 1977, I’d already been hearing his voice for seven years. So I approach his final recording with both sadness and a wealth of historical context. Although I met Allman only once -- very briefly on a beach in Macon, Georgia, in 1979 -- I feel like I’m saying farewell to an old friend.
