August 2011

Cul-de-SacPolanski’s One-of-a-Kind Black Comedy on Blu-ray

The Criterion Collection 577
Format: Blu-ray

Overall Enjoyment
Picture Quality
Sound Quality

Having given us a remarkable Blu-ray edition of Roman Polanski's Repulsion, Criterion has now set its sights on the director's second film made in London. As with Polanski's two other British films, Polanski and Gérard Brach scripted Cul-de-sac. It's one of the oddest movies ever made, one that no one has tried to imitate. Who could? The quirky film is pure Polanski, and it's made with such skill that it seems like pure cinema. Polanski's shots are never fussy, yet they're always perfect. When deciding where to shoot and how to frame a scene, the Polish-born director always makes the right choice.

The plot of Cul-de-sac sounds like that of a thriller. Richard (Lionel Stander), a gangster on the run, and his dying partner, Albie (Jack MacGowran), come across a castle on a bleak and unfriendly island off the coast of Northumbria. There's a road to and from when the tide is low, but it's submerged when the tide returns. Living in the castle are George (Donald Pleasence), a retired businessman, and his wife, Teresa (Françoise Dorléac), a much younger French woman whom George lets dress him in drag. You'd think this would be a setup for the perfect thriller, and part of the film is just that. But Polanski veers off track into perhaps the darkest black comedy ever filmed. For one thing, there are all the chickens. They live in a garage that's been turned into a henhouse, but they wander everywhere. I'd say they show up randomly in at least 45 percent of the movie. No wonder Pleasence plays George as an eccentric waiting to go over the edge. Stander's gravelly voice and tough-guy actions offer a caricature of the typical mob killer, while MacGowran makes dying an amusing event, in a black-comedy way.

Polanski shot the movie in black and white, and the Blu-ray transfer is offered at the correct 1.66:1 aspect ratio. The bright scenes come off with ideal contrast and admirable sharpness, but the indoor scenes are very dark and often a little murky. The transfer is still good; it's just not quite up to Criterion's usual standards. This was no doubt due, in part, to the condition of the original film. The sound is perfectly serviceable for both the dialogue and Krzysztof Komeda's stark jazz score. Cul-de-sac doesn't have constant music, but it arrives at perfectly chosen places in the drama. You can tell Criterion has cleaned it up a lot to get rid of background noise, and it does the job. There's not a lot on the soundtrack that would need more modern sound.

The extras are lean for a Criterion title, but they include two original trailers, a 1967 television interview with Polanski, and a 2003 documentary about the filming of the movie that details the horrible working conditions and the problems among the actors on set. Cul-de-sac is a remarkable little film that will entertain you a lot if you just surrender and go with it. Criterion has done a good job on its transfer to Blu-ray Disc, but has skimped on extras.

Be sure to watch for: Needing a place to hide his getaway car, Richard orders all the chicken coops removed from the garage so he can stow his vehicle. The scene, shot from the back, shows all the coops being smashed in the foreground, and you can see out the door to the car's headlights, which light the scene, in the background. It's a shot that's weird and wonderful at the same time, and it's certainly memorable.  

. . . Rad Bennett

More SoundStage! Videos

  • PMC Fact.8 Signature Loudspeaker Review! (Take 2, Ep:11)
  • Which is Better? Elac Navis ARB-51 vs. Focal Shape 65 (Take 2, Ep:10)
  • Amphion for the Home, the Studio, and Billie Eilish - SoundStage! Talks (August 2020)
  • The NEW Hegel H95 Integrated Amplifier Review ! (Take 2, Ep:9)
  • Estelon: Loudspeaker Excellence and Originality from Estonia - SoundStage! Talks (August 2020)
  • Zero-Distortion Amplification: Halcro Out of Hiatus - SoundStage! Talks (August 2020)
  • Best Active Speaker? Elac Navis ARB-51 Speaker Review (Take 2, Ep:8)
  • Vivid Audio's Inventive and Spectacular S12 Loudspeaker - SoundStage! InSight (August 2020)
  • Qobuz Hi-Res Traction and Younger Listeners, with David Solomon - SoundStage! Talks (July 2020)
  • Schiit Audio Ragnarok 2 Integrated Amplifier Review (Take 2, Ep:7)
  • Schiit Audio Bifrost 2 DAC Review (Take 2, Ep:6)
  • Vinshine Audio: Kinki Studio, Magico, and More in Singapore - SoundStage! Talks (July 2020)
  • Focal Shape 65 Active Speaker is a Winner for Both Audiophiles and Studios (Take 2, Ep:5)
  • Audio Research's 50th Anniversary Products, Celebration, and Future - SoundStage! Talks (July 2020)
  • Get Closer to Your Music with the HEDD Type 07 Active Speaker -- Literally. (Take 2, Ep:4) #AMTfi
  • Back to the
  • Details on the Bowers & Wilkins 700-Series Signature Speakers - SoundStage! Talks (June 2020)
  • Totem Acoustic Skylight Speaker Review! Affordable Speakers with a Big Sound (Take 2, Ep:2)
  • Activities at Hi-Fi Super-Retailer Goodwin's High End - SoundStage! Talks (June 2020)
  • The Long-Term Investment in a Bryston Amplifier - SoundStage! Talks (June 2020)
  • PMC and the Flagship Fenestria Loudspeaker - 2019 SoundStage! Product of the Year Winner (June 2020)
  • Hegel H120 Integrated Amplifier Review. Living With It for the Past 3 Months! (Take 2, Ep:1)