Blu-ray Movies
"Blow-Up"
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May 2017
Antonioni’s Homage to Photography and an Iconic Era
The Criterion Collection 865
Format: Blu-ray
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How interesting that one of the most iconic movies representing London’s Swinging ’60s should be filmed by an Italian. Michelangelo Antonioni (1912-2007) was already famous for having directed his trilogy L’Avventura (1960), La Notte (1961), and L’Eclisse (1962) when producer Carlo Ponti signed him to direct three films in English. These turned out to be Blow-Up (1966), Zabriskie Point (1970), and The Passenger (1975). Zabriskie Point failed on almost every count, and The Passenger was a critical if not a commercial success -- of the three, Blow-Up was the cinematic masterpiece.
"The Lair of the White Worm"
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April 2017
Ken Russell’s Cult Fave on Vestron Blu-ray
Vestron/Lionsgate 6
Format: Blu-ray
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LaserDisc aficionados will fondly remember Vestron Pictures, a film and television studio that provided a large portion of Image Entertainment’s catalog. Lionsgate now owns the Vestron catalog, and has begun reissuing its titles in Criterion Collection-like editions with remastered images and sound, with commentaries and extras that contribute to the viewing experience. Vestron made a steady stream of low-budget, schlock horror movies, but every once in a while strove for greatness and hired someone famous, if outrageous, to direct a film -- someone like Ken Russell.
"Women on the Verge of a Nervous Breakdown"
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March 2017
Pedro Almodóvar’s Colorful Screwball Comedy on Blu-ray
The Criterion Collection 855
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Women on the Verge of a Nervous Breakdown was inspired, in part, by La Voix humaine, a 1930 play by Jean Cocteau. The film that brought Pedro Almodóvar international fame, it was the first of his movies I saw, in a small art house in Washington, DC. It blew me away -- here was Bringing Up Baby (1938) or Ball of Fire (1941) given a Spanish flare, brought up to date for 1988, and presented in vibrant, even outrageous color. Nearly 30 years later, I felt the same rush while watching this new reissue, one of the best the Criterion Collection has ever presented.
"The Asphalt Jungle"
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January 2017
John Huston’s Heist Masterpiece on Blu-Ray
The Criterion Collection 847
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In 1950, John Huston directed The Asphalt Jungle for MGM and set the pattern for virtually every caper/heist movie to follow. Rififi in particular, with its intricate, suspenseful, nearly dialogueless depiction of a theft, owes much to Huston.
"McCabe & Mrs. Miller"
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December 2016
Robert Altman’s Unique Western on Blu-ray
The Criterion Collection 827
Format: Blu-ray
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American film director Robert Altman loved to bend familiar genres to his own purposes. M*A*S*H (1970) was like no other war movie that had preceded it. McCabe & Mrs. Miller (1971) turned the typical showdown-and-shoot-out Western into a Northwestern, set in the fictional mountain town of Presbyterian Church.
"Night Train to Munich"
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November 2016
Carol Reed Channels Alfred Hitchcock
The Criterion Collection 523
Format: Blu-ray
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Sir Carol Reed (1906-1976) was a British film director best known for three masterpieces: Odd Man Out (1947), The Fallen Idol (1948), and The Third Man (1949). After this brief flash of genius, his films went relatively unheralded until Oliver! (1968), for which he won an Academy Award for Best Director.
"Chimes at Midnight"
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October 2016
Bigger-than-Life Falstaff from Orson Welles on Blu-ray
The Criterion Collection 830
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William Shakespeare was a hero to Orson Welles, who spent much of his career trying to make definitive film versions of the plays. Welles directed an excellent Othello (1951), and his experimental Macbeth (1948) was a flawed masterpiece -- in both, he played the title role. But his greatest homage to the Bard was Chimes at Midnight (1965), which gives a different view of the story of Falstaff and Prince Hal in being a pastiche of parts of Shakespeare’s Henry IV, Henry V, and The Merry Wives of Windsor.
"Carnival of Souls"
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September 2016
The Indie That Wouldn’t Die Finds New Life on Criterion Blu-Ray
The Criterion Collection 63
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Carnival of Souls isn’t one of the black-and-white classics Criterion is known for. It’s a cult indie film that became a horror favorite when Roger Ebert re-screened and reviewed it in 1989, 27 years after its initial release. But considering its history, singular locations, and magnificent camera work, it’s one of the best editions that Criterion has produced. Its many secrets and wonders are revealed through insightful commentaries and a generous set of extras.
"Here Comes Mr. Jordan"
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August 2016
James Gleason Scores Lots of Laughs in One of His Bigger Roles
The Criterion Collection 819
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It’s likely that Here Comes Mr. Jordan (1941), the first film based on Harry Segall’s 1938 play Heaven Can Wait, is probably less well known to contemporary audiences than Warren Beatty’s 1978 remake, which reverted to the play’s title. Then there’s film director Ernst Lubitsch’s Heaven Can Wait (1943), which was based on an entirely different play by Leslie Bush-Fekete and was the reason the 1941 film bore a different title.
"In a Lonely Place"
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July 2016
Psychotic and Vulnerable: Bogart in One of His Greatest Roles
The Criterion Collection 810
Format: Blu-ray
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In a Lonely Place (1950) contains one of film noir’s most often quoted speeches: “I was born when she kissed me. I died when she left me. I lived a few weeks while she loved me.”
