May 2022
I have a friend in New York City who shares my audiophile leanings and many of my musical tastes, and we frequently exchange thoughts on recordings I review here. However, as an apartment dweller, my friend keeps his amplifier turned down low, limiting how deeply he can delve into them. He relies on headphones for most of his listening.
Note: for the full suite of measurements for the Monitor Audio Bronze 100 loudspeaker performed in the anechoic chamber at Canada’s National Research Council, click this link.
April 2020
As revolutionary as the popular music of the 1960s was, some things didn’t change. When that decade ended, artists were still expected to be from somewhere rather than remaining regionally based.
Note: for the full suite of measurements from the SoundStage! Audio-Electronics Lab, click this link.
March 2022
A couple of months ago, 2021 was capped off for me by the arrival of NAD’s C 700 BluOS streaming amplifier, which I wrote about in the January edition of “Art+Tech.” As I always do, I turned to the manufacturer’s website to see where the C 700 sat in the company’s product line. I couldn’t help but linger over the description of the Masters M10 V2, the C 700’s grander sibling.
Note: for the full suite of measurements from the SoundStage! Audio-Electronics Lab, click this link.
February 2022
Five decades ago, many leading jazz musicians were at a chaotic, crowded crossroads.
Note: for the full suite of measurements from the SoundStage! Audio-Electronics Lab, click this link.
January 2022
Over the first year of this “Art+Tech” column, I’ve explored some intriguing new pieces of equipment and listened to a lot of great music in the process. I’ve mentioned some of the music I’ve most enjoyed in 2021 along the way; but not all of it. And of all the terrific gear that passed through my office, the piece that really caught my eye—NAD’s C 700 BluOS streaming amplifier ($1499, all prices in USD)—has only recently landed on my desk. That’s perfect timing for revisiting my ten favorite albums of the past year and seeing how the C 700 treats them.
Note: for the full suite of measurements for the EarMen Tradutto DAC from the SoundStage! Audio-Electronics Lab, click this link.
December 2021
For a time, about a decade ago, I had this fantasy of promoting a concert that would feature an all-star band of top-flight musicians who held PhDs. As it happens, it wasn’t as far-fetched as it seems; pianist Vijay Iyer and saxophonist Rudresh Mahanthappa have already collaborated, and the French Moutin twins, drummer Louis and bassist François, would make a great rhythm section.
Note: for the full suite of measurements for the Arcam SA30 from the SoundStage! Audio-Electronics Lab, click this link.
November 2021
In 1997, pianist Brad Mehldau, then 26, released The Art of the Trio, Volume One, his second album for Warner Bros. Records. That was followed by four additional volumes, the latest in 2001. The aggressively declarative title was conceived by producer Matt Pierson, who was also the head of A&R for jazz at the label. The idea was clearly to establish Mehldau as the heir to the postwar jazz trio tradition that had been established by artists like Oscar Peterson, Bill Evans, and Keith Jarrett. Each of these pianists recruited band members who could improvise at a high level and be counted on to play outside the standard role of a rhythm section.
October 2021
I have a self-imposed rule when assigning stars for albums I review for SoundStage! Xperience or on my other gig at DownBeat magazine: As a service to consumers, I deduct half a star if the artist provides less than the 45 minutes of music I would expect on a typical album without discounting the retail price.
September 2021
Whether the credit is due to his Florida upbringing or his longtime residency in California, singer-songwriter Tom Petty had an incredible knack for writing summertime anthems. Songs like “Even the Losers,” “You Don’t Know How It Feels,” and “The Waiting” had extra resonance when played on a car radio on a sultry day, and there was something related to yearning and the quest for freedom in many of his songs—or those he cowrote—that naturally led to the open road or the beach.
August 2021
In 1940, Chicago was home to 278,000 black residents. Twenty years later, that number had climbed to 813,000—the result of a massive northward migration of African Americans, largely from rural parts of Mississippi, Louisiana, Alabama, Georgia, and Tennessee. The institutionalized racism in the South was at the root of much of this migration, but intertwined economic factors also shaped the movement.
SoundStage! Xperience is part of
All contents available on this website are copyrighted by SoundStage!® and Schneider Publishing Inc., unless otherwise noted. All rights reserved.
This site was designed by JoomlaShack, Karen Fanas, and The SoundStage! Network.
To contact us, please e-mail info@soundstagenetwork.com
