July 2013
It’s been a while since we’ve had a Mitsubishi DLP projector in house. We reviewed the HC3000 in 2006 (720p DLP, $2495 USD), and the HC5000 in 2007 (1080p LCD, $4495), but since then we’ve had to satisfy ourselves with the occasional sighting at a Consumer Electronics Show. The HC3000 and HC5000 fared well in our critiques, so we’ve been anxious to try something new. The Mitsubishi HC7900DW ($2499) seemed like a great choice.
The art of projector design gets swoopier every year, and the HC7900DW is a gorgeous piece of industrial sculpture. Its clean white body, orderly lines, and uncluttered rear end all make for a nice presentation. Granted, it’s missing the Hummer-like seriousness of the Runco D-113d, or the voluptuous curves of a Sim2 Lumis 3D-Solo in Ferrari Red. Still, in person, the HC7900DW is quite attractive.
Inside is a single-chip 1080p DLP device with a light output of 1500 lumens and a contrast ratio of 150,000:1, assisted by an automatic iris. The HC7900DW is a 3D machine, though it doesn’t come with any equipment to watch a 3D movie. I applaud this approach, because lots of folks don’t give a twit about 3D. If you want to use its 3D capabilities, you’ll have to pony up an additional $99 for Mitsubishi’s 3D Emitter. You can buy various brands of glasses, which run $50 to $125/pair. You’ll probably also want to set a few bucks aside for a good universal remote control.
This is a continuation of
Surely all of our knowledgeable readers will know that the name Dirac is intimately connected with Nobel-winning physicist Paul Dirac and the experiment whose acronym spells his name: the DImeson Relativistic Atom Complex. As explained at 
Oppo Digital has mastered the fine art of juxtaposition, steering a perfect course between value and luxury. Oppo products are bulletproof, yet, at any hint of a problem, customers gain immediate entrée to one of the best tech-support departments in all of consumer electronics. Perhaps best of all, despite the fact that their products come to market designed with exceptional intelligence and fully formed, the engineering staff never stops soliciting feedback from their dedicated clientele. They then use that feedback to make something remarkable even better. Their payoff is a reputation that’s at the pinnacle of the home-theater business.
I’m in the market for a new car. While I’d prefer to buy American, I’m open to anything. My father, other than a dalliance with catfish-styled Citroëns, was a devoted and stalwart Chrysler man. That meant no drama when new-car time came around: Just head to the old Chrysler dealer and order up a big car in his favorite color.
By placing a product in this list, I might as well be anointing it one of my Best of the Year products. Nothing goes on the Christmas list unless it’s the best of what I tested. However, given the economy, I decided on a price ceiling of $400. That puts a couple of receivers, the
There was a time in the US when a really high-end audio receiver was looked down on. Audiophiles weren’t worth their salt if they didn’t have separates: tuner, preamp, power amp. A few Japanese companies were toying with high-end receivers, but in the US, only McIntosh and Marantz were making “audiophile” receivers. The folks who were buying Audio Research or Mark Levinson or Threshold gear wouldn’t have dreamed of lowering their sights to an all-in-one-box receiver. And the folks who were constrained by price generally weren’t looking for a high-cost receiver. So receivers were relegated to the low end of the mass market, as high-end separates became de rigueur for the aurally obsessed.
It was 20 years ago today, Sgt. Pepper -- oh, wait, that’s a different review.
The Single Best Investment You Can Make to Upgrade Your Sound Today and the Journey It Took to Learn the Lesson the Hard Way