Vinyl Music

July 2023

Contemporary Records / Craft Recordings / Acoustic Sounds CR00594
Format: LP

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Bassist Leroy Vinnegar was born in Indianapolis and moved to Los Angeles in the 1950s, where he appeared on albums by nearly every jazz musician who passed through LA or was based there. He played on sessions with Stan Getz, Benny Carter, Kenny Dorham, and many others. He was the bassist on popular trio sessions with Shelly Manne and André Previn, including My Fair Lady (1956), a Contemporary Records release that was one of the label’s biggest sellers. He played on another big seller, Swiss Movement, a 1969 live collaboration between Les McCann and Eddie Harris.

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June 2023

Contemporary Records / Craft Recordings / Acoustic Sounds CR00390
Format: LP

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André Previn’s long career included well-regarded work as a pianist, composer, and conductor in classical music, film soundtracks, and jazz. Previn appeared on many recordings for Contemporary Records in the late 1950s, both as a solo pianist and in a trio setting, and recorded three Broadway-themed albums with drummer Shelly Manne and bassist Red Mitchell. Manne himself recorded albums of show tunes for Contemporary, on which he was the bandleader, with Previn on piano and Leroy Vinnegar on bass. Manne’s My Fair Lady (1956) was the first of those albums. It was so popular that Contemporary encouraged him and Previn to continue making records consisting of tunes from various shows.

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July 2022

Columbia Records / Legacy Recordings 19439955761
Format: 2 LPs

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As everyone knows, life seldom deals you a second hand. Snooze, lose, and all that.

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January 2022

Columbia Records/Legacy 19439900841
Format: 2 LPs

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I like a band with some tension in it.

Say what you will about the music made by artists who truly like one another—even after touring together in a cramped vehicle for weeks and suffering through the endless hassles of life on the road—I’ll take the music of musicians like Ray and Dave Davies, or Sam Moore and Dave Prater, people who could barely tolerate one another offstage but could create magic together once they faced an audience. From that tension comes great art.

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November 2021

Impulse! Records B0034291-01
Format: 2 LPs

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Pianist McCoy Tyner was only 26 when he left John Coltrane’s band in 1965, and interviews with him over the next 55 years, prior to his death in 2020, rarely failed to touch on Coltrane and the saxophonist’s towering legacy. It seems no one was inquisitive enough—and I include myself here; I interviewed him twice—to ask him if Coltrane had performed his cornerstone suite, “A Love Supreme,” more than a single time in 1965, at the Antibes jazz festival in France, and one other time at a Brooklyn fundraiser. It was just a given, and a large part of the myth surrounding the composition, that the saxophonist never returned to his masterpiece after those two occasions.

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Blue Note Records BST 84338
Format: LP

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The true geniuses of contemporary music—Charlie Parker, John Coltrane, Jimi Hendrix, to name just three—have had a tendency to flame out like supernovas. Like the massive astronomical objects that become supernovas, these musicians have also tended, at their peak, to obscure anyone else in their immediate orbit. From bassist Tommy Potter—at Parker’s side for his finest recordings—to bassist Noel Redding—one of Hendrix’s two closest collaborators—those who play alongside the biggest stars have struggled to establish their own musical identities.

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August 2020

Craft Recordings CR00281
Format: LP

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Take every story of wild rock stars, rockabilly cats, and legendary jazz over-indulgers, and set them all aside. No one -- not Keith Moon, Jerry Lee Lewis, or Charlie Parker -- could hold a candle to pianist James Booker for combining outrageous behavior and audacious musicianship.

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