Curator
Todd Rundgren's "Something/Anything?" Curated
May 2020
Nominee Todd Rundgren was passed over for induction into the Rock & Roll Hall of Fame this year. I concede that T. Rex was overdue for recognition, and that Nine Inch Nails and the Notorious B.I.G. have made contributions significant enough to warrant induction. But I can’t imagine Depeche Mode or Trent Reznor without Rundgren’s influence -- and don’t get me started on the Doobie Brothers.
A Look Back at Van Morrison’s "Hymns to the Silence"
January 2020
As I write this, Van Morrison has just released his 41st album. It’s hard to think of another artist still working in pop music who’s been as consistent as Morrison, and now, in his mid-70s, he has, if anything, ramped up his production -- Three Chords and the Truth is his sixth album in four years. While it’s tempting to compare Morrison’s career with those of other musicians from the 1960s, at this point he’s more like the blues and jazz musicians he so admires and has, all his life, taken as models, recording well-crafted albums for as long as he can continue to do so.
Wilco’s "Summerteeth" -- 20 Years Later
October 2019
When SoundStage! Network publisher Doug Schneider and I first talked about a column that would call attention to important rock recordings, I leaned toward albums I’d grown up with that are now part of the rock canon. But a few weeks ago, while listening to Wilco’s third album, Summerteeth, it occurred to me that a more current release would be worth looking at in depth. Then I looked at the release date: In March of this year, Summerteeth turned 20. Wilco themselves got together 25 years ago. So much for my being hip and cutting-edge -- but Wilco very much retains those qualities.
The Allman Brothers Band's "At Fillmore East" at 48
June 2019
When the Allman Brothers Band began a three-day run at the Fillmore East on March 11, 1971, they’d already decided to record the shows for release as a live album. Their two studio albums, The Allman Brothers Band (1969) and Idlewild South (1970), had been well received by critics, but sales had been sluggish. The Allmans were best in concert, and steady touring had helped create some interest in the second LP while building the band’s following. In 1970 alone the ABB played 300 shows, developing a reputation as a fierce live act. Bill Graham, who owned the Fillmores East (in Manhattan) and West (in San Francisco), became a fan in December 1969, when the Allmans opened for Blood, Sweat & Tears at Fillmore East, and he booked them into both halls many times over the next 18 months. The Allmans played the Fillmores 11 times in 1970, and by the time they appeared at Fillmore East in March 1971 they had two years of rigorous touring under their belts.
Love's "Forever Changes" Curated
January 2019
When the Los Angeles-based rock quintet Love entered Sunset Sound Recorders in Hollywood in June 1967 to record their third album, circumstances did not point toward a successful outcome. The band had recorded two very good records (actually, one and a half, but more on that later), and scored a top 40 hit in July 1966 with “Seven & Seven Is.” But even with the success of that single, Love had been unable to build momentum because of singer-songwriter Arthur Lee’s reluctance to tour. In addition, Lee’s relationship with guitarist Bryan MacLean, who also wrote songs for the band, was starting to fray.
"Rubber Soul"
September 2018
When the Beatles entered Abbey Road Studios in October 1965 to record their sixth studio album, they had no other commitments to worry about -- no tours, no movies, no radio or television appearances. Over the next four weeks, the group would complete Rubber Soul, their second album to be recorded and released in 1965.
