In his June 1 review of the Pro-Ject Audio Systems Phono Box S3 B phono preamplifier, Philip Beaudette explained that when he reviewed Pro-Ject’s X2 B turntable last December, he “liked” the turntable, but it was the S3 B that “surprised” him because of “its combination of great sound and remarkable feature set.” As a result, after both the X2 B and S3 B had been returned to the distributor, he asked for the S3 B to be sent back so he could review it independently.

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We’ve reviewed the Bryston BR-20 preamplifier and streaming DAC twice on SoundStage! Network sites. Gordon Brockhouse reviewed it for SoundStage! Simplifi in June 2021. Then, earlier this month, Evan McCosham reviewed it here on SoundStage! Hi-Fi. The reason for the two reviews has to do with the Bryston’s rich feature set, which makes it right at home on Simplifi, and its high level of sonic performance—desirable of course for Simplifi readers, but mandatory for Hi-Fi readers, who typically put far more focus on sound quality than features.

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Brent Butterworth reviewed Focal’s updated Utopia headphones in January 2023. He began by praising the original Utopia headphones, which were released in 2016, stating that they were “probably as close as anyone’s come to perfection in headphones.” In fact, his June 2020 review earned Reviewers’ Choice and Recommended Reference Component awards for the original Utopia headphones. Since the new version ($4999, all prices in USD) has the same name, Brent explained that he would refer to the new model as the “Utopia 2022.” We have done the same here, and in the measurements report.

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In his March 1 review of the NAD Masters M23 power amplifier, Roger Kanno wrote: “Purifi’s Eigentakt class-D amplification technology first came to our attention when SoundStage! Network founder and publisher Doug Schneider raved about the performance of an engineering evaluation sample utilizing the company’s OEM modules. We subsequently reviewed several Eigentakt-based products from NAD, including the C 298 stereo amplifier, the M28 multichannel amplifier, and the M33 integrated amplifier-DAC.” The M23, which is priced at $3749 (in USD), is NAD’s latest amplifier to use the Eigentakt tech.

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Matt Bonaccio’s review of the RME ADI-2 DAC FS digital-to-analog converter appeared on this site on January 15. Near the beginning of that review, Matt wrote: “Affordable, feature-laden DACs that measure well aren’t hard to come by these days, though the ADI-2 DAC FS manages to push the everyman’s standalone DAC paradigm to the extreme.” The word extreme applies both to its feature set and the way it performs objectively (i.e., on the test bench) and subjectively (i.e., listening), which might be a little surprising to some given that the ADI-2 measures only 8.5″W × 2.05″H × 5.9″D (without feet), weighs just 2.2 pounds, and is priced at a reasonable $1299 (in USD).

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In his December 2022 review of the SME Model 60 turntable and Series VA tonearm on SoundStage! Ultra, Jonathan Gorse declared that SME is “one of the crown jewels of the British audio industry, and is as quintessentially English as the BBC, Windsor Castle, or strawberries and cream at Wimbledon.” In his review, Jonathan described the firm’s new Model 60 turntable as “the culmination of over 60 years of audio development.” Jonathan commented: “SME released its last flagship turntable, the Model 30, in 1990—over 30 years ago—so it’s not a company that releases new products just to appease the whims of the marketing dept.”

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Active speakers using digital signal processing (DSP) aren’t new—they’ve been part of the audiophile landscape for more than 30 years, although they were prohibitively expensive back when and have been getting far more affordable in the last decade or so. But what can be considered new are some of the features now being implemented on active speakers, such as wireless connectivity and music streaming. And in the case of Dynaudio’s Focus 30 loudspeaker system, which Gordon Brockhouse reviewed on SoundStage! Simplifi on December 1, room correction. For the Focus 30 system, room correction is provided via Dirac Live, and we believe this is the first time that Dirac Research’s software has been implemented directly on a speaker system.

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Last month, we recognized the DS Audio DS 003 optical cartridge and its companion DS 003 phono preamplifier with a Recommended Reference Component award. As Jason Thorpe explained in his review of that combo on this site, DS Audio’s cartridges don’t “rely on magnets and coils to generate an electrical signal.” Instead, DS Audio cartridges use LEDs and light sensors, and the resulting signal must then be boosted and equalized by a phono preamplifier designed specifically for optical cartridges.

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The resurgence that vinyl has experienced is certainly a boon for those who make and sell records, but there’s not much that’s new under the sun for this medium—the records, turntables, tonearms, and cartridges aren’t very different from how they were in vinyl’s heyday in the 1970s. But there has been one recent development that has advanced vinyl as a playback medium—the optical cartridges and accompanying phono preamplifiers that Japan’s DS Audio began making almost ten years ago. In July, Jason Thorpe reviewed the company’s DS Audio DS 003 cartridge and companion DS 003 phono preamplifier, a combination that he declared offers “paradigm-smashing performance” for the $6000 (all prices in USD) package price.

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