SoundStage! Music Online Editor's Pick
Archives
July/August 2001
Lightnin' Hopkins - Goin' Away
JVC XRCD JVCXR-211-2, 2001
SnapShot! Rating:
Need a new demo disc? The sound on
this XRCD2 remaster originally recorded in 1963 is spooky, especially on a hi-rez
system -- there are no digital nasties to worry about here. The instruments -- guitar,
bass, drums -- along with Lightnin' Hopkins' voice have an unforced clarity, and the
ambience is so present that it almost sounds like trickery at times. The splash of the
drum work -- hear it and you'll know what I mean -- on the title tune, right to left,
seemingly defines the walls of the recording venue. "Stranger Here" boils
slowly, throbs down low, and sounds utterly palpable throughout -- a deft mix of
you-are-there and they-are-here sound. If you've wanted to buy an XRCD to hear what all
the hubbub is about, buy this one. The same goes if you own a few of the discs and are
looking for another that's particularly distinguished. And if you are a hard-core
aficionado of spirited blues (or Lightnin' Hopkins) -- oh heck, everyone should
own this disc. It's a gem....Marc Mickelson
Tchaikovsky - 1812 Overture
Telarc CD-80541, 2001
SnapShot! Rating:
It's hard to justify the existence of
another recording of the "1812 Overture" unless it's from Telarc, whose
1979 release of this, uh, classical war-horse [CD-80041] was early audiophile ear-candy
with its digital cannon shots, and warning thereof on its cover. On vinyl that first
recording was notoriously difficult for even good tonearms and cartridges to track
properly, and this new version will be even more difficult -- it's available on CD, SACD
and DVD-A only, but in two- or six-channel formats. The DSD sound of the CD is
pure Telarc -- full, warm and enveloping. The cannon shots, performed on Civil War-era
cannons by the same cannoneers who participated in the original recording, won't
disappoint the subwoofer crowd. As a sonic bonus, Telarc recorded the carillon at the
Church of the Covenant in Cleveland via microphones placed atop the 150-foot tower, all to
simulate the raucous bells of the battle scene....Marc Mickelson
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