December 2009
Rad Bennett's Best Audiophile Releases for 2009
Looking for the best sounds of 2009, regardless of format?
Look no further. In compiling this list, I heard the future of high-end sound. Only one CD
made the cut, and quite a few of the downloads provided significant upgrades from their CD
counterparts. In no particular order, heres the best of 2009.
Beethoven: Symphonies 1 &
5 (Paavo Järvi, Deutsche Kammerphilharmonie Bremen)
Label: RCA 33835-2
Format: Multichannel SACD/CD
Genre: ClassicalMusical performance: ****1/2
Sound quality: ****1/2
Overall enjoyment: ****1/2
This third installment in Paavo Järvis traversal of
the symphonies of Beethoven is a high-voltage event, with fast tempos and a savagery that
is never crass. The close-up recording has podium presence, with the woodwinds and brass
easily heard, and the effect is thrilling. The string attacks in the last movement are so
real that you feel as if youre on the podium, watching the players along with the
conductor.
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Jen Chapin: ReVisions:
Songs of Stevie Wonder
Label: Chesky SACDS 347
Format: Multichannel SACD/CD
Genre: JazzMusical performance: ****
Sound quality: ****1/2
Overall enjoyment: ****
A daring decision to make this a trio session (singer,
saxophone, and bass), without a chording instruments such as a keyboard or guitar, pays
off in a recording that is among the most intimate Ive heard. The miraculous
recording catches every performance nuance yet never sounds clinical, having both clarity and
warmth. Also available as a superb 24-bit/96kHz download from Cheskys HDtracks
(stereo only). The double-bass harmonics at the beginning of "Visions" are
amazing, as is the clarity of all three performers going full tilt in "Master
Blaster." The perfect, hand-in-glove balance of Jen Chapin and bassist Stephen Crump
at the beginning of "Renewable" took my breath away.
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Jimmy Greene:
Mission Statement
Label: Razdaz SSC 4608
Format: CD
Genre: JazzMusical performance: *****
Sound quality: ****1/2
Overall enjoyment: ****1/2
For this ambitious recording -- sometimes mellow, sometimes
boisterous, always exuberant -- saxophonist Jimmy Greene is joined by Lage Lund on guitar,
Xavier Davis on keyboards, Reuben Rogers on bass, and Eric Harland on drums, with Stefon
Harris sitting in on vibraphone for "Revelations." The recording is close-up yet
a marvel of clarity, considering there are so many musicians going in so many directions.
Harriss mallet work in "Revelations" is absolutely clean, yet seems to
come from within the ensemble rather than being spotlit. Each musician sounds equally a
part of the whole ensemble.
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Grieg: Piano Concerto
(Percy Grainger, piano roll; Rolf Gupta, Kristiansand Symphony)
Label: 2L 60
Format: Blu-ray, Multichannel SACD/CD
Genre: ClassicalMusical performance: ****1/2
Sound quality: ****1/2
Overall enjoyment: ****1/2
Percy Grainger, one of the 20th centurys chief
exponents of Griegs famous concerto, is here brought back to vivid life via a
piano-roll performance, recorded in 2009 with a superb Norwegian conductor and orchestra.
The performance -- recorded in sparkling, spacious, transparent, detailed surround sound
-- is offered (on two discs) in 24-bit/352.8kHz DXD, in 24/192 DTS-HD Master Audio, 24/96,
2.0-channel LCPM, and DSD stereo and multichannel. The detail in the interplay of piano
and orchestra throughout, especially in the playful bridge passage of the third movement
that occurs just before the grand finale, is striking.
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Helge Lien Trio: Hello
Troll
Label: Linn Records (licensed from Ozella Music)
Format: 24-bit/96kHz download
Genre: JazzMusical performance: ****1/2
Sound quality: ****1/2
Overall enjoyment: ****1/2
Helge Liens playing is at times reminiscent of Dave
Brubecks, while the lyrical, ruminative drift of the melodies reminds one of Bill
Evans. The sound ranges from consonant and lush to dissonant and playful. The recording is
warm yet detailed, with perfect balance among piano, bass, and drums. The piano sounds
very three-dimensional, and the drums are as clean as a whistle in an overall warm
ambience. This sound is so appealing that I felt I could spend days instead of just
minutes with this recording -- and, indeed, I have.
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Houston Jones: Calico
Heart
Label: Blue Coast Records
Format: 24-bit/96kHz download
Genre: Singer-Songwriter Musical performance:
****
Sound quality: ****1/2
Overall enjoyment: ****1/2
Houston Jones is a West Coast band than blends acoustic,
blues, country, and bluegrass into a most appealing sound. Cookie Marenco, CEO and chief
engineer of Blue Coast Records, felt that their new album deserved the extra halo of air
that a 24-bit/96kHz transfer would give, and I agree. The voices sound entirely natural,
while all the plucked and picked string instruments have just the right amount of twang.
Once the levels were set, everything was in the hands of the musicians, without any
electronic twiddling. The opening of "Cowards Game" is deliciously twangy,
capped by a shimmering struck cymbal; when the lead singer comes in, the instrumentalists
back off naturally rather than being electronically turned down.
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Sara K.: Made in
the Shade
Label: Stockfisch 357.7052.2
Format: Blu-ray, SACD/CD
Genre: Singer-SongwriterMusical performance:
****1/2
Sound quality: ****1/2
Overall enjoyment: ****1/2
Sara K. has said that this will be her last album. Whether
that ends up being true or not, this Blu-ray audio-only disc is a fine testament to her
artistry. The album is acoustic music at its best, various instruments being used to
support the singers warm voice in the center channel. The program is also available
on SACD/CD in comparable sound. Listen to the intricate concert harp filigree in
"Watching You Fall Into Sleep," the pointed striding piano and bass in
"Manchild," and the shimmering Hammond organ backdrop for
"Sizzlin."
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Shakespeares Tempest
Sullivan, Sibelius: Incidental Music for The Tempest (Michael Stern, Kansas
City Symphony)
Label: Reference Recordings
Format: 24-bit/96kHz download
Genre: ClassicalMusical performance: ****
Sound quality: ****1/2
Overall enjoyment: ****1/2
Conductor Michael Sterns bold, detailed readings of
this music by Sir Arthur Sullivan and Jean Sibelius are ideal. So is the warm, spacious
recording, which couples a focused, solid soundstage with excellent presence, whether the
music is loud or soft. This is big concert-hall sound as heard from row 10. Sustained
notes from the winds and brass dont disturb the rapidly whirring violins in
Sullivans Act IV Overture or Sibeliuss The Storm; each part can
be heard clearly, yet all combine to make a cohesive, dramatic whole.
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Various Artists: AIX
Records Music Calibration Disc and HD Music Sampler
Label: AIX
Format: Blu-ray
Genres: Jazz, Singer-Songwriter, ClassicalMusical
performance: ****1/2
Sound quality: *****
Overall enjoyment: ****1/2
A perfect marriage of hi-def audio and hi-def video, the
seven tracks on this disc point the way to the future. Pure sound, not just mastered, but
recorded at 24-bit/96kHz, provides an unparalleled intimate experience: a superlative
studio recording that you can also see. Tests for setting up your audio equipment are big
bonuses. Revel in perfect vocal imaging and instrumental timbres, ideal balances, and
overall sound so clean and clear its as if youve invited the artists into your
listening room.
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Various Artists: Audiophile
Jazz Prologue III
Label: Design with Sound DSW-8001
Format: DVD-ROM (24-bit/192kHz, 24-bit/96kHz) and CD-R
Genre: JazzMusical performance: ****1/2
Sound quality: *****
Overall enjoyment: ****1/2
The recording is warm and close, avoiding any unpleasant
edge. Its as if youre in a perfect small club with ideal acoustics;
youre sitting at a table near the center, and all the annoying sounds of other
customers talk, rattling glasses, and scraping silverware are gone -- its a private
show by the musicians, just for you. The opening bowed double bass in "Youd Be
So Nice to Come Home To" is amazingly realistic, turning over to plucked bass and
guitar supporting the singer with perfect balance and clarity. |
. . . Rad Bennett
radb@soundstage.com
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