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January 2025

In my November Pulse! column, I made a prediction about the Capital Audiofest, which took place over the weekend of November 8–10 in Rockville, MD, a suburb of Washington, DC. “I can tell you what I’ll hear,” I wrote. “Diana Krall, Sting, Texas Flood by Stevie Ray Vaughan (the Acoustic Sounds reissue), Kind of Blue (Acoustic Sounds again), any number of MoFi titles, and so on.”

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January 2025

Capitol Records—T 2080 Apple Records / Universal Music Group International 0602468019756
Format: LP

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The Beatles’ conquest of America in 1964 happened so quickly, it caught the band and its record company, Capitol Records, by surprise. Capitol Records was the US subsidiary of EMI Records, whose Parlophone label had enjoyed unprecedented success with the group in England. Those records, distributed in the US by Vee Jay and Swan, did not do well at first. But “I Want to Hold Your Hand,” which Capitol reluctantly agreed to release after passing up the group’s first three singles, turned out to be a massive hit. And American teens demanded more.

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December 2024

Verve Records 602468047353.1
Format: CD

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Few jazz musicians have been as exhaustively documented on recordings as Charlie Parker, known to his contemporaries as “Bird.” We are some distance from the aura of magic and romanticism that surrounded his very real accomplishments, which makes it hard to grasp how much he influenced other musicians and how revolutionary his music was. Jimi Hendrix’s impact and enduring place in rock music is perhaps a more recent parallel.

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December 2024

In 1963, after two years of work at a local television station, Lee Mendelson and Sheldon Fay Jr. embarked on a production venture of their own, Lee Mendelson Film Productions (LMFP), in Burlingame, California, about a 25-minute drive from San Francisco.

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December 2024

I spent 1964 obsessed with becoming a drummer. Unfortunately, my inspiration was Dave Clark when it should have been Tony Williams. While Clark was already a veteran at 24 when his quintet caught the big wave the Beatles had started, Williams was a mere 17 when he burst out as the new drummer in Miles Davis’s quintet around the same time.

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December 2024

Craft Recordings / Original Jazz Classics / Riverside Records CR00725
Format: LP

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At first glance, it seems odd to see tenor saxophonist Coleman Hawkins listed in the credits for Monk’s Music, a 1957 release by the Thelonious Monk Septet on Riverside Records. But while it’s easy to think of Hawkins as a swing-era player—his career began in the early 1920s—he did play with bebop musicians in the ’40s and in 1944 led a session that featured Monk on piano.

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November 2024

Pacific Jazz—ST 10, Blue Note Records 602448650498
Format: LP

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Blue Note’s Tone Poet series is in its fifth year, and producer Joe Harley is reaching deep into the label’s catalog to reissue some wonderful but often undervalued jazz recordings. In addition, the Tone Poet series continues to include jazz titles from other labels that have over the years become part of Blue Note’s holdings, including Pacific Jazz and United Artists.

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November 2024

If you spend any time on the internet—and since you’re reading an article on the SoundStage! Network, I’m assuming you do—you start to get ads and links to articles that are targeted to your interests. A banner at the side of my email homepage includes links to Audio Advisor, Music Direct, and other audio dealers. Facebook throws more stuff at me than I can possibly keep up with, and a big portion of it has to do with high-end audio.

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November 2024

Peter Guralnick’s essential book on Southern soul, Sweet Soul Music (1986), begins with a long rumination on, among other things, what defines the music. After giving some background on his reasons for writing the book and the research it required, he wrote: “I suppose I should make it clear from the outset that when I speak of soul music, I am not referring to Motown, a phenomenon almost exactly contemporaneous, but appealing far more to a pop, white, and industry-slanted kind of audience.

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October 2024

Sam First Records SFR 006
Format: LP

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Earlier this year, on February 16, I followed a link to a live stream of a performance by alto saxophonist Devin Daniels at Sam First, a bar in Los Angeles that I wrote about that same month. Sam First sells tickets to its shows online. If you’re in Los Angeles, you can attend a performance at the bar for $25. If you’re somewhere else but want to see and hear the musicians, you can pay $10 for access to a live stream. Daniels did a two-night stand at Sam First, with shows on the 16th and 17th.

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